Interviews & Reviews

Born in 1953, Gerhard Muff is interested in every form of art, painting, literature, music & dance; he reads almost exclusively medical text books, the topic of healing an avoiding pain has his greatest attention. "The medium of film is the greatest art form we have. I love the challenge that filmmaking demands. The creative space is infinite. It is my destiny as a filmmaker to realize my visions. I hope that I still have enough time to contribute to the cultural heritage. On December 1st, 2020 I founded the Inge Muff Film production company to achieve my goals" he said.

When did you realised you wanted to be a Filmmake?

For as long as I can remember I always wanted to be a director. But I made the logical decision when I was sitting alone on the side of a country road in Yugoslavia and a truck drove past me a meter away. That was about 50 years ago.

Do you remember your first time at the movies ?

It was Alexis Sorbas von Michael Cacoyannis mit Anthony Quinn from 1964.

If you should change Country where would you like to work ?

USA und France

Two Films that have marked your life for better or for worse.

Dennis Hopper`s Easy Rider from 1969 and The Gospel of John von Philip Saville from 2003

What do you think about Acting / filmmaking schools?

We are all actors. Some are very good who are successful in their profession. It is an art form that we need to come closer to realization. Film schools are important because we need to pass on experience and knowledge. We can also make films without training. "It's only what's on the screen that counts. "(Werner Herzog)

Have you ever hated your ambition ?

Yes. I prefer to meditate and do nothing. But I also have to fulfill my function. Passion is also a curse and sometimes hard to bear. But art demands a sacrifice

in life time, in strength and in resources.

Francois Truffaut used to think that „ Film lovers are sick people „ was he right. 

Yes and no. Yes, because they are driven by the desire to make a film.

No, because the intention to make a constructive, cultural contribution is an honorable concern.

Close your eyes ... if I say  "Cinema" what do you see ?

The potential of Cinema

Who is the Director /Actor /Writer that taught you the most?

This question cannot be reduced to one film. I'll give you some examples.

Aguirre, The Wrath of God by Werner Herzog, The Mission by Roland Joffe,

Tous les Matins du Monde by Alain Corneau, Jean Florette by Claude Berri, Manon's Revenge by Claude Berri, Apocalypse Now by Francis Ford

Coppola, Taxi Driver and Hugo Cabret by Martin Scorsese, Duell on the Missouri by Arthur Penn, The Dissident by Bryan Fogel, The Gospel of John by Philip Saville and much more.

About your Job, tell us your biggest dream and your worst nightmare ?

I dream of being able to live long enough to make a iving from filmmaking and to be able to realize my projects. The nightmare is that people no longer want to turn to the idea or concept of a creative mind as the origin of all things.

What would you like to improve as a Filmmaker?

Everything. This is very important, but taking a picture with your cell phone is just as important. See George Floyd "I Can't Breathe"

Film Industry it`s a Touch place and sometimes is normal to feel lost and discouraged ... who`s the personthat keeps you motivated.?

Jesus Christ

A big Producer give you the Chance to direct/to play (in ) the Remake of one of your favorite Black and white Movie ( if you have one ) .. what film do you choose.

The 1st Gospel - Matthew by Pier Paolo Pasolini from 1964

Alfred Hitchcock Said: "To make a good film you need 3 things : The script, the script and the script". Do you agree with him?

It's really important to think about what kind of movie you're going to do. Also, we want to convince others to do it, and for that you need a script. A film

production must be planned and organized. During filming, the script can be forgotten if it is no longer needed. A film project costs a lot of money and it must be uccessfully completed for everyone.

What`s your most ambitious projekt for the future?

I don't want to give any information about my next projects unless I talk to a producer.

Do you think that sadness or at least melancholy let be more creative ?

Yes.

What do you wish to yourself as a Filmmaker ?

That I can find a producer who is as good as my mother was with whom I can realize my projects.

Habitats include secluded apartments with physical media, found footage, and a working projector. Can also be found in front of screens or behind cameras. Subsists on a diet of Chris Marker, Abel Ferrara, late-era Ozu, 80’s anime, revisionist westerns, and Claire Denis. Enjoys coffee, rainy days, biology, people’s faces, Soviet history, music, and food.

What's the absolutely necessary ingredient to be a good actor/director/screenplayer?

This is funny because I'm not very familiar with identifying as a director, let alone a "good" one. Still, I think the unifying element here is the idea of artistic pursuit. I feel like there's a disconnect in the term because the short film that I made, Burnt by the Sun, feels more like an art project than it did a film I directed. But the most important ingredient would be inspiration; I sought to create something, a short film that would screen at the Other Cinema in San Francisco (as part of Craig Baldwin's NEW New Experimental Works), and I really wanted to make something unique and special. Until then, I had made numerous collage narratives, piecing together archival footage, some from my personal archives and others from different shows and movie documentaries, but I wanted to make something that was more personal and derived or comprised of/ from the original footage. In doing this, I made very vague yet specific parameters to follow, I wanted to primarily shoot on film, and if there were shots or scenes borrowed from other sources, they would have to be from my personal archives of 8 & 16mm or synced from its source to a filmic source. Inspiration might sound like a cliche, but its what moved me from shuffling my feet and saying, ", Well, it would be cool to make a movie, but I don't know if I can do it," or "Gee, I'd like to direct a movie, but I don't know if I can do it..." to actually doing it. I overcame that hurdle because I realized that I could do it on my terms.

First and last cinematographic crush?

Well, I like the phrasing...I think. Plenty of crushes, but I think I actually fell in love with Liv Ullmann, Bibi Anderson, and the Bergman stock company because of Sven Nykvist's cinematography; there hasn't been another dp who knows just how much currency there is in a human face. The most recent crush would be the work of Claire Denis. Anyone cast in a Claire Denis movie is going to look gorgeous; never have I seen a director who intuitively democratizes beauty through their directing; if you've been in one of her movies, it's probably the best you're ever going to look, just check out Isabelle Huppert in White Material, those olympian bodies and faces throughout Beau Travail, even that bozo Vincent Gallo looks amazing in Trouble Every Day.

How old you were when you decided you wanted to be an actor/director/screenplayer?

I'm always performing. Not in that "we're all playing a role, man," but I'm always doing bits, routines, impersonations, skits, or singing goofy songs; my poor partner is stuck with a constant one-man revue; it's always been like this since I was a kid, but if you told me to put any of my energy up on stage, I'd freeze up like a frightened turtle. I don't think I've ever made a decision to become a director or screenwriter, and the way I've assembled my movies barely conforms with the most liberal definition of the term "directing." I'm yet to write a screenplay, but I'm storyboarding my next sci-fi project Incubate. I guess within the past year or two, I decided to pursue filmmaking in my own anarchic, improvised way.

For you, a Film is...

Something that fascinates me and hopefully plays at twenty-four frames per second. All joking aside, there's a lot of "to-do" about what is and isn't a film, whether or not some movies are cinema, and so forth. Whether or not it's digital or film, I feel like, for me, a film is something that bewilders, astonishes, frightens, and excites me. I want to be convinced of an inconceivable reality; I want to see something I know isn't real but get caught up in the emotion as if it were happening before my eyes. A film is something that excites all of my senses.

What do you feel when you're acting/directing/writing?

So much of what I do comes from happy accidents and chance encounters; if I'm driving around with my camera and I pass by a creepy-looking decrepit house, I'll pull over and film it, then think to myself, ", Well, I guess my next movie will feature this fucked up house." There's plenty of footage like that in Burnt by the Sun, and at the moment, I'm thinking, "Alex, you know this isn't how movies are made," but what am I, on a shooting schedule? I know that if I ever work my way to a studio production or an indie shoot with a small crew, I can't dash off into the woods every time I see a bird or something that catches my eye, but I like the possibilities of the every day. There are occasions when I set up a scene with proper lighting, take a reading, block actors, and so forth, and when the film is shot, pulled, developed, dried, and projected, and you see it in that frame, it's a rush. I'm excited by the possibilities if I'm behind or in front of the camera. I recently acted in a student film for a friend of mine

 from school, and I had a wonderful time; I got killed in the end, it's a recurring thing, and I get a kick out of it.

You can go to the Movies with an actor/director/screenplay that you

love. What kind of movie do you choose and with who are you're gonna watch it?

I'd easily got to see Pasolini's The Gospel According to St. Matthew with Abel Ferrara. I'm a huge fan of both of their works, and I think the only person who loves Pasolini more than me, is Abel Ferrara. I'm a huge supporter of his work, and I love him as a character; this guy is the real deal; watch his movies with the commentary track on; to borrow a phrase, he often evokes "it's better than the movie." Also, I think with his deviant catholicism and Italian heritage, it would be a moving experience, except he'd probably look at me and say, "Dig this movie, man, the fuck ya doin' sweatin' me about my shit? It's Pasolini. Show some respect, ya dig?"

Also, as weird as this may sound, given the guy and his personality, I feel like this could actually happen. I mean, not really, but you never know...

Audrey Hepburn used to say, "Nothing is Impossible," what do you think about it?

Well, Audrey Hepburn said it, so it must be true, right? It's funny because there's a framed portrait of Audrey Hepburn by the front door where I work; I jokingly refer to her as "Princess Audrey" because of her regal qualities. For the past nine or so years, I've been a film critic, and there's that saying, "Those who can't create art criticize art," and maybe that held me back; well, I can successfully critique and create art; I guess that means anything is impossible.

Can you live just off of your passion?

"Live" being the operative word, if I had infinite resources, money, and so forth, yes, you bet I could live solely on my passions. I'm never bored; I love writing, reading, shooting film, experimenting with my cameras, editing, and watching movies. Honestly, it would be a dream come true if I could live off of my passions.

What's more important, talent or luck?

One begets the other; if you're not talented, you won't be able to recognize luck when you're fortunate enough to get it. Gerry Fialka said in an interview, "Turn your breakdowns into breakthroughs," and that gets to a lot of what goes on in my filmmaking; happy accidents and dumb luck constitute a lot of the virtues in my work. Like when I tried to process expired Kodachrome, against the advice of some informed peers, I ended up with some wild and uncanny imagery.

You must go to a desert island, but you can bring with you just one movie...

Oh boy, only one; right now, it's a four-way tie between Olivier Assayas' Carlos, Beau Travail, The Shining, and Sans Soliel. The Shining is a movie I've seen countless times over the years and haven't tired of it, but I might go with Chris Marker's Sans Soleil; it's one of my all-time favorites because there's so much imagination and potential in the globe-trotting essay film format.

Have you ever accepted a part/ a movie to direct/ a script to write even

if you didn't like the project?

Not that I can think of; the only time I feel like I didn't like a project is when it was something I was making or in its final process. I'm almost tired of it or feel like I've loved it to death, that kind of feeling that you're Lenny from Of Mice and Men, and you're petting your pet mouse over and over until it's dead.

What's the best compliment you have received about your Job?

I asked Craig Baldwin how my short film did during its screening back in December of last year, and he said, "Great, packed house, went wild, Burnt by the Sun burned up the screen!" That was special for me to get accolades like that from a filmmaker I revered, let alone the very notion that he actually screened something that I made. I thought it would have been so much better if I could have flown out to San Francisco and seen it in person, but the timing of the holidays and living on the east coast made it nearly impossible. However, those words made me picture a packed house going wild, and I think that's more exciting than actually being there, but who am I kidding? I would have loved to be there, but I think I would have been too nervous about taking it in.

Are you satisfied with your career?

No, I want to do more, but I'm satisfied, more or less with what I've done. If I could make the transition to the point where my art is my means to make a living, that would be great, but I'm not doing this for money; the only dissatisfaction is that I can't devote more time to my career as a visual artist.

Do you have a good luck charm?

Nothing specific, like a totemic item or charm, but I'm extremely superstitious. If it can’t hurt you, why not avoid those cracks on the sidewalk, or walk around that ladder than under it? Maybe film is my good luck charm?

Which is the worst moment on set ?

I haven't shot on a set, but the worst thing I've experienced during a shooting on location or wherever is this weird hostility that occurs when people see someone with a camera. It's funny because we're constantly shooting videos on our phones, Snapchat, vlogging, and so on. I once had a woman call the police on me because I was getting a light reading on my camera as I walked down the road! I'm sure if I was an influencer, talking into my phone with a selfie stick, she'd have run out to be in the video!

How do you feel when a job you've been part of it's ending?

I've been a PA on some commercials, helped with plays, and acted in shorts, and it's always rewarding when you feel good about a project wrapping up. It's a warm-up to the anticipation of post-production and seeing the final product.

Have you ever lied to get a part/job?

Who hasn't? I wouldn't trust someone who didn't lie a little. I wouldn't tell a lie I couldn't back up with some credibility, less like lying and more like padding some numbers, a little embellishment.

If you should win an Oscar, your first thought would go to...

Like anyone, I've thought this over, and I think I would thank any and every artist who ever inspired me, plus my mum and dad.

Darla Z began her professional musical career in 2005, opening in concert for Willie Nelson. Since 2005, she has performed, recorded and headlined in Las Vegas numerous times, opened in concert for Wayne Newton in 2007 and 2019 and starred in three nationally released public television specials filmed in Las Vegas. In 2016, Darla Z began cowriting songs and recording with the legendary Ronnie Wilson, founder of The Gap Band, writer and producer of many platinum and gold selling Gap Band records. Darla Z’s most recent project “To All the Gabbys in the World” was written by her in to bring awareness to the ongoing epidemic of domestic abuse and to motivate and inspire abused women to leave their horrible situations and start a new life. The video was directed by Rick Walker. Darla Zuhdi is the author of four published children’s books in series called The Cat Detectives for kids aged 7 and up.

Do you prefer Comedy or Drama? 

I prefer both comedy and drama for different reasons.  I love comedy because I love to laugh and love happy endings.  I love drama because I love character development, I love to get engrossed in a movie where I care about the characters, and I love the writing. 


Life imitates Art or Art imitates Life?  

Art imitates life.  To me, the best art is expressed through life experiences that has touched the creator’s soul and then, through artistic expression, is thereby able to touch other’s lives.


Which is the best Moment on set?  

When you know you’ve performed your best.



Did anyone ever tell you weren't good enough? 

Yes. They told me the “country” crowd may laugh at me when I opened in concert for Willie Nelson.  I had never performed professionally before, was 42 when starting out so I was “older” than the norm (but not Willie!) and I was going to be performing in front of a crowd of 10,000.  I had to ignore the naysayers and just get out there and do it and do it right. 


How can you stay focused on your goal?  

I use several techniques, but I’d say the most important is positive imagery – I imagine it in my head, speak it aloud, and then work continuously at it until it comes to fruition.  Faith that I can do it is another, and third, the desire to create the best I possibly can.


Have you ever had a breakdown because of your Job?  

Not a breakdown, so to speak, but I learned early on to be tough skinned and accept criticism or a critique sometimes for what it was – a chance to improve.  Working with a lot of different musicians, two of which had years more experience than me (famed pianist and conductor Bob Rozario and Ronnie Wilson of The Gap Band), was sometimes difficult because in order to grow, I had to take their critique and/or criticism, keep my chin up, and sing and/or write without it bothering me or affecting my voice.  To this day, I can still hear those wonderful mentors’ voices in my head, both of which are now in Heaven, yet their words of wisdom continue to shape me into the writer and artist I am today. Like a “Rocky” movie, I believe everyone has a moment of self-doubt they must overcome in order to succeed. 


Talent is a blessing or a curse?  

By far, a blessing.  To be able to express emotion, excitement, encouragement, inspiration, and love through the written word or music and touch others through that expression is a gift beyond compare.  


What would you like to improve about yourself as an actor/writer ?  

As a writer, it is easy for me to get so engrossed in my work, I am transported to another world, and I can easily visualize that world while I am writing.  But when I’m on screen, it’s easy to focus on unimportant matters rather than the message of the words, so I’m working to improve on that.


What's the worst critic you have received?  

I think people placing doubt in my mind early in my career, that I couldn’t write songs and perform in public, was something I had to mentally ignore.  Fortunately, as time progressed, I had enough confidence in myself and faith I could do anything I put my mind to doing, that I didn’t let it stop me!



If you weren't an actor/director/screenplayer what would you like to be?  

A lawyer.  I’ve been a legal assistant/paralegal for 35 years but never went to law school.  It would be great to perform in front of a jury to seek justice. 



If Cinema was a color what would it be?  

Red one day, blue another, yellow another and so on.  It’s ever changing, depending on the mood and scene.

A day without a movie is..

...a day to write one.


If someone offered you to play/direct/write in/a movie that you despise
but that for sure will make you rich and famous...would you accept the job? 

No.  In fact, I had a script I wrote that had been accepted by a renowned agent in LA.  It was a great whodunit along the lines of Nick and Nora Charles of The Thin Man series.  But the agent wanted me to make it trashier and cut the dialogue to very short scenes. I asked him, “What about character development?” He said, “No one cares about that anymore.”  He sent me some scripts as examples.  I read the first, a very trashy script, and with tears in my eyes, I threw it away -- along with his phone number.  I don’t agree that you can’t have character development. I believe there’s always a market for people who want good quality entertainment and characters you care about.  Plus, I believe I can be a positive influence on others if I always maintain my integrity and only do work I believe in. 


What's your greatest ambition?  

To have one of my scripts made into a feature film and I write the music to go along with it.  And of course, an Oscar!



What's your biggest fear?  

Personally, I don’t like putting my fears on paper.  But I can say this, I am a huge scaredy cat and scary movies can trigger nightmares for me-- so scary movies are not my thing.  


Does music help you to play/ write? 

Not really.  Though I love music to my core, when I’m writing a story or a screenplay, I don’t have any music on.  Otherwise, I recite the lyrics in my head as the music plays.  I know a lot of music and a lot of lyrics so it’s a major distraction.


You have the chance to make a Silent movie, what's your message to the
audience?  

Faith, hope, and love brings a happy ending.

Share your speech if you should win an Oscar.....You mean, when I win an Oscar…

Wow! (real tears).  What an incredible honor.  It’s with the greatest humbleness that I accept this Award tonight (look adoringly at statue).  My journey has been long, and it has been filled with so many people who helped me along the way.  But I must start with my husband, Bill, and the greatest manager of all time, obviously, because here I am. But it sure took him a long time (pause for laughter).  Bill has encouraged and supported me ever since I met him at the age of 19.  And when Bill asked Frank Sinatra backstage when we produced him in concert if Frank would mind waiting to take a picture so he could have me in the picture with him and Frank told him, “Go get your wife, Billy”, I learned then at the age of 22 what was in store for me. Asking Frank to wait to take a picture was amazing, because everyone knows Frank hated taking pictures.  That’s when I learned just how supportive, loyal and wonderful the man I married was.   

God, my wonderful husband, mother, and family, and my life experiences have enabled me to obtain this Award as well as having given me the courage to believe I could receive it. But I have to say, mother said I should have received it much earlier (pause again for laughter).  So, thank you to the Academy and to all my loved ones, including my three wonderful cats, for this Oscar for Best Original Song. 

Claudia Calderón is a Puerto Rican filmmaker with a background in music, acting, and production. She's a Fiction Film Direction alumni of Cuba's EICTV Film School. Her short film El año del cerdo received awards and recognitions for Best Short Film, Direction, Screenplay, and Production Design in the São Paulo Intl. Short Film Festival, Tribeca Film Festival, and the San Sebastián Intl. Film Festival, among others. Her music videos have been showcased and awarded at the Berlin Music Video Awards, Buenos Aires Music Video Fest, Puerto Rico Film Festival, Paris Movie Awards, Athens Short Film Festival, and Premios Lo Nuestro. Some of her other credits also include short documentaries, dance films, visuals for concerts including Bad Bunny’s x100pre Tour, and campaigns for international brands such as Adidas. She also directed, Nasciturus (2020), a stand-up special acquired by HBO which it’s currently streaming on MAX. She’s currently based in PR and developing her first feature film.

What's the absolutely necessary ingredient to be a good filmmaker?

Discipline and patience.

First and last cinematographic crush?

The first one was Harry from Harry and the Hendersons. Later on (and for a while) Leonardo di Caprio in the Basketball Diaries/ Romeo and Juliet era. Most recently Mia Goth and Aubrey Plaza.

How old were you when you decided you wanted to be a filmmaker?

I’ve always loved going to the movies since I was a little girl. My mom pointed out to me once that I would leave theatres reciting full monologues/ dialogues from the movie we had just watched. I also remember feeling like I had been inside the scenes of my favorite movies when I thought of them. Later on in life Being John Malkovich by Spike Jonze was the first movie I saw that made me feel that that was something that I wanted to do. That was completely reinforced by Michel Gondry’s work as well as Wes Anderson’s early films. 

For you a Film is...

A song with images. A window to alternate realities.

What do you feel when you're acting/directing/writing?

Crippling anxiety… but also an intense connection with the moment. I think I’m most present when I’m put in those inescapable situations.

You can go to the Movies with an actor/director/ screenwriter that you

love. What kind of movie do you choose and with whom you're gonna watch it?

I’m taking Lucrecia Martel and Pedro Almodóvar we’re doing a Cassavetes marathon.

Audrey Hepburn used to say “Nothing is Impossible”, what do you think

about it?

I would add “when you have money” to that statement.

Can you live just on your passion?

It hasn’t been my case. I live in a country where the idea of supporting emerging filmmakers and storytellers is not on the forefront of what the local film industry should be. My passion for film though has allowed me to open myself to work in that medium but in different departments. It’s the driving force behind my work ethic and what I hold onto when the work gets tough and the existential doubts begin.

What's more important, talent or luck?

Great one. To me, talent. But I’ve seen what luck has done to many untalented people so… I don’t know.

You must go to a desert island but you can bring with you just one movie...

Nope. Can’t do it. I can’t pick a movie. Also.. I rather have equipment and make one there while we’re at it.

Have you ever accepted a part/ a movie to direct/ a script to write even

if you didn't like the project?

Of course. We live in a capitalist world and Puerto Rico is getting more expensive by the second. I’ve had periods of time where I try to focus only on projects that I’m passionate about but normally those are very low to none budget so eventually you just have to take what comes. I always try to make it interesting for me and/or make it an opportunity to try something new.

What's the best compliment you have received about your Job?

I guess when people talk to me about my intentions without me having to explain them. Also when people say my music videos feel like movies… I have to say.. that makes me giddy and proud.

Are you satisfied with your career?

Not at all. I’m very grateful for all the opportunities that have come my way but I definitely need more experiences and I’ve always dreamed of the time where I can actually say I live off economically of being a director and it just hasn’t happened yet.

Do you have a good luck charm?

Lately I have been wearing these A24 socks to all my directing shoots. I love their movies and their merch. I guess that’s me manifesting that one day… If you ever see this A24.. Let’s talk.

Which is the worst moment on set ?

When you realize you don’t have enough time to finish your plan and you have to condense and improvise.

How do you feel when a job you've been part of ends?

Like a big blur. You invest so much energy in projects that by the time you reach the post phase you enter a sort of weird meticulous limbo where it’s almost as if you don’t really feel like it happened (the prep and shoot). The project’s done and you’ve seen it like 5 thousand times and I’m still like.. Oh shit. Did we just do all that?

Have you ever lied to get a part/job?

Yes. I did not know how to use excel on my first gig as an Art Dept Coordinator.

I also sneaked out of a meeting in order to interview to be Todd Solondz personal assistant and had to quit my previous job when I got Todd’s project.

If you should win an Oscar your first thought would go to…

My mom for insisting me to go to film school, my whole family for loving me and cheering me on, my partner for always pushing me, a very selected group of friends for being there for me no matter what, and every person that has bet on me and given me job in order for me to grow as a professional and allowing me to exercise my potential.

Stephen is a actor, writer and director known for No Mas and The Righteous. Stephen is also an accomplished stage actor, having performed in The Best Little Whorehouse in Texas, The Mystery of Edwin Drood and The Lilies of the Field. Stephen has also written two full-length screenplays, Secret Messages and Retribution. Both have won awards in numerous film festivals. Stephen is also a commercial print model.

What's the absolutely necessary ingredient to be a good actor/director/screenwriter? 

Being believable and genuine. As an actor, don’t make it like you are acting. It should flow.

First and last cinematographic crush? 

Selma Hayek was first and last Margot Robbie.

 How old you were when you decided you wanted to be an actor/director/screenwriter? 

I was 25

For you a Film is...

Something that moves you, stick with you. Something you can watch over and over and get something different from it every single time.

 What do you feel when you're acting/directing/writing? 

Happy. I am doing what I love which is creating something.

You can go to the Movies with an actor/director/screenwriter that you love. What kind of movie do you choose and with who you're gonna watch it?

 I’d say probably a drama and if I could watch it with Martin Sheen or Gene Hackman.

Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it? 

Some things are a lot more difficult than others, but if you have the talent and determination…

Can you live just of your passion? 

No. You have to be realistic and know how to market yourself and what are your best qualities and accentuate them.

 What's more important talent or luck? 

Really hard one to answer. Without the talent there is no real foundation.

 You must go to a desert island but you can bring with you just one movie...

Another hard question. Right now Blade Runner 2049 or a classic like The Godfather.

Have you ever accepted a part/ a movie to direct/ a script to write even if you didn't like the project? 

Yes. Playing an abusive spouse.

What's the best compliment you have received about your Job?

“Your performance was inspiring.” Fantastic compliment.

Are you satisfied about your career? 

No, I always keep going.

Do you have a good luck charm? 

My determination.

Which is the worst moment on set ?

 When the work does not flow.

How do you feel when a job you've been part of it's ending? 

Sad. You put a lot of work into it, spend a lot of time with other actors and crew and then it’s over.

Have you ever lied to get a part/job?

 Not directly but faked it a few times!

 If you should win an Oscar your first taught would go to…

My Wife. Always supportive.

Nevena Nikolova is a New Bulgarian University recently graduated student in Directing. She has previous Masters`s degrees in Psychology and an Executive MBA. Nevena`s artistic career started as a fringe stage performer. Nevena is a director the theatre shows Victoria Station and The Collection both by Harold Pinter. MORNING is her debut movie and ROOFTOP is her second film for both of which she is the producer, the director and the screenwriter. Nevena`s most recent project is a screen dance short called THE CREATURE 2.0

When did you realised you wanted to be a Filmmaker or Actor?

It was my childhood dream to be an actress. I believed actors could do anything without being punished.


Do you remember your first time at the Movies?

It was in a student movie. I performed a powerful medical doctor, managing an alternative cancer treatment clinic. I wasn`t very good, though…


If you should change country where would you like to work?

I would switch between New York and the South of France.

Two films that have marked your life for better or for worse…

Hair by Miloš Forman and Star Wars


What do you think about Acting/ filmmaking schools?

Those can be one viable source of inspiration and insights. Among many others.


Have you ever hated your ambition?

Yes, indeed. But it is a love-hate relationship.


Francois Truffaut used to think that "Film Lovers are sick people”… was
he right?

Any Love is sick, if it happens to be strong enough.


Close your eyes…if I say “Cinema” what do you see?

A child observing the world through a keyhole.


Who’s the Director that taught you the most?

My teacher at the University, one of the biggest Bulgarian film directors – prof. Georgi Djulgerov.


How important is to have a good Cinematographic Culture?

It helps to remain humble.


What would you like to improve as a Filmmaker?

To be braver in exploring, to trust my instincts, to learn how to better pitch a new film project.

A big producer give you the chance to direct the remake of one of your favorite black and white Movie (if you have one)… what film
do you choose?

Alfred Hitchcock's The Spellbound 1945 starring Ingrid Bergman and Gregory Peck.

Film Industry it’s a tough place and sometimes is normal to feel lost
and 

discouraged… what keeps you motivated?

An unexpected grace from a stranger.


Alfred Hitchcock said: "To make a good film you need 3 things: The
script, the script and the script".  Do you agree with him?

I wish I said that.

What’s your most ambitious project for the future?

A high budget sci-fi feature called „Destination: Happiness “


Do you think that sadness or at least melancholy let be more creative?

Could be. I`m pretty certain I have never created any piece of art in a state of happiness.

What do you wish to yourself as a Filmmaker?

To stay hungry, foolish, and playful in filmmaking. And may the Force be with me!

Douglas has been a professional actor for many years. “Alcanza el Sol” (Reach for the Sun), based on some true-life instances and characters from his life, is his first screenplay and, hopefully, it will be his first produced full-length feature, which returns him to his first true passion: film.

What's the absolutely necessary ingredient to be a good actor/director/screenplayer?

Having a good knowledge of life’s challenges and vicissitudes can give a storyteller, whether it be an actor, writer, or director, a broader frame of reference to draw upon when working in a creative capacity.  The more one understands the human condition, with all its foibles and inconsistencies, the more he or she will be able to plumb the depths of character, storyline, story arcs, and so forth.

First and last cinematographic crush?

Ben Hur.  Titanic.

How old you were when you decided you wanted to be an actor/director/screenplayer?

My father was a professional actor, so I was weaned on old movies and naturally, wanted to be in the business. 

 For you a Film is...

…either a slice of life, a total fantasy, a great adventure, or some other form of transport that allows one to escape the realities of the moment and enter a completely new reality — with no consequences.

What do you feel when you're acting/directing/writing?

As an actor, I feel that I’ve climbed into a new skin that gives me total license to become any character that I can realistically portray, with the intent to speak the truth of the character in whatever circumstances he finds himself in.  As a writer, I like to crawl into the characters’ heads to find their motivations, fears, desires, and ultimate goals (if they have any) as they pursue their journey.  

You can go to the Movies with an actor/director/screenplayer that you

love. What kind of movie do you choose and with who you're gonna whatch it?

It might have been fun to go to a movie with Alfred Hitchcock during his heyday.  He always managed to find interesting twists and surprises in his films, to say nothing of the shocking moments, as with the original “Psycho,” that he created in his work.  

Audrey Hepburn used to say “Nothing is Impossible”, what do you think

about it?

Films have an unlimited possibility, and the greatness of what can be achieved through filmmaking is only expanding.  Unfortunately, many filmmakers rely on special effects, CGI, and other technical tools to create their films, but often, the storyline or characterization is weak.  Hollywood needs to get back to exciting, character-driven stories instead of making the 18th sequel to Star Wars.  

Can you live just of your passion?

It would be nice, but until things change, probably not.

What's more important talent or luck?

Both are important, as there are many talented people out there without the right connections or any degree of luck.  However, I feel that if one writes a great story, it will be seen somewhere, by someone, and most likely get made in some form.

You must go to a desert island but you can bring with you just one movie...

That’s a tough one…definitely not Cast Away!  Maybe, Godfather II…great character study.

Have you ever accepted a part/ a movie to direct/ a script to write even

if you didn't like the project?

As an actor, yes, sure, as you generally try to work even if you’re not crazy about the part or script.  I’ve only written scripts that I care about and have never written them for anyone else.  

What's the best compliment you have received about your Job?

I’ve been complimented many times on my acting achievements, and I’ve also received much praise from film festivals around the globe about my script, “Alcanza el Sol” (Reach for the Sun).  One time, an audience member told me that my work as a character onstage was “exhilarating, and terrifying,” which was a great compliment as I was playing a deranged killer….a bit of a stretch.  

Are you satisfied about your career?

I’ve worked in many capacities the last few years outside of show business, as I walked away from the business several years ago. I’d like to start making great strides as a screenwriter and possibly, as an actor once again.

Do you have a good luck charm?

Sure, but I can’t reveal it, or it won’t do the trick any more.

Which is the worst moment on set ?

When the project wraps, and you realize that the really fun part is ending.  

How do you feel when a job you've been part of it's ending?

Sometimes sad, but if there’s a great film or TV role created, or an intriguing story produced, it’s a good feeling. 

Have you ever lied to get a part/job?

Yes. I told an agent when I was starting out that I had my SAG card, and she sent me on a commercial audition. I wound up getting the job, and then I had to tell her that I wasn’t actually in the union. They Taft-Hartley’d me…she said it happens all the time, so I didn’t feel too bad about it.

If you should win an Oscar your first taught would go to…

If it was for “Alcanza el Sol,” my first thought would be about the girl I was going to marry, but who unexpectedly passed away due to terminal illness, and who is a major character of the screenplay. She was a huge inspiration for the story. 

Tiki Taane is considered to be an influential element in the pioneering of Aotearoa's bass culture, as well as the country's most prolific genre-bending experimentalist. Being frontman of leading NZ band Salmonella Dub in 1996, catapulted Tiki to embark upon a life changing solo career that saw his music and production skills reach record breaking, award winning heights. Tiki has produced multi-platinum, chart topping singles and albums, not only for himself but for NZ artists such as Salmonella Dub, Six60 and longtime friends Shapeshifter - he’s been their exclusive live sound engineer since 1999. Renowned as much for his powerful, live performances as he is for the anthems he writes and produces, Tiki’s extraordinary ability to unite and connect to audiences across the globe is a unique talent, making him the most diverse producer and performing artist in Aotearoa NZ. Tiki works alongside his two older sisters as the CEO of his production company and record label TIkidub Production

 When did you realised you wanted to be a Filmmaker\Actor\Writer?

It’s always been at the back of my mind, especially after shooting and performing in so many music videos. And having made music for feature films and short films, I’ve always been around the culture and extremely interested in it all. 

Do you remember your first time at the Movies?

I remember seeing Return of the Jedi around 1983, and it totally blowing my 7 year old mind. 

If you should change country where would you like to work?

I’d love to return to South Africa and work with African musicians and producers to create experimental music and films. 

Two films that have marked your life for better or for worse…

I can name one, which is “Once Were Warriors” a NZ Film that resonated with many young Māori like myself.  

What do you think about Acting/ filmmaking schools?

I’ve never taken any of those classes, but if I did I’d be way more articulate. 

Have you ever hated your ambition?

No, but I’ve definately struggled and doubted it at times. 

Francois Truffaut used to think that "Film Lovers are sick people”… was he right?

Haha, yeah I can understand that. 

Close your eyes…if I say “Cinema” what do you see?

Endless possibilities and adventure. 

Who’s the Director\Actor\Writer that taught you the most?

That would be Taika Waititi. Just by watching him, his films, and his journey has shown me and many others that it’s possible to make, direct, produce and act in your own films. 

About your job, tell us your biggest dream and your worst nightmare…

Biggest dream would be to keep on creating music and film with amazing and inspiring people. 

Biggest nightmare is regretting not trying to do the above. 

How important is it to have a good Cinematographic Culture?

It is incredibly important as it creates connection, learning, excitement, humility, love, inspiration, culture and so much more. 

What would you like to improve as a Filmmaker\Actor\Writer?

I’d like to improve on my story telling and maximise those moments that really connect and hit the soul.

A big producer gives you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?

Does the Wizard of Oz count? If so then I’d love to shoot that here in NZ and use all my kooky mates as the main characters. 

Film Industry it’s a tough place and sometimes its normal to feel lost and discouraged… who’s the person that keeps you motivated?

I have an amazing team around me who give so much support and encouragement, especially my wife and two sisters who help run my company. Without them I would’nt be able to do half the things I’ve done. 

 Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script".  Do you agree with him?

That makes sense. I would like to also add that a kick ass soundtrack and musical score makes for an even better film. 

What’s your most ambitious project for the future?

My bro and I have been building a Door Slammer drag racing car which I have no idea on how to drive. Im going to turn the whole experience into a documentary called “The Worlds Fastest Maori”, which is a very crazy, dangerous and ambitious project. 

Do you think that sadness or at least melancholy let’s you be more creative?

Yes perhaps so. I do find myself being in love with the struggle, in love with the under dog, which seems to fuel my creativity. 

What do you wish to yourself as a Filmmaker\Actor \Writer?

I wish to keep on creating content with amazing and inspiring people that stirs and awakens the soul. 

Giorgio is a young (very) independent filmmaker. He developed his passion for cinema from the tender age of three and began to love thriller/horror from the age of six when, for the first time, he came in contact with the film "Deep Red" directed by Dario Argento and was captivated by it. He immediately began to study audiovisual language as a self-taught, experimenting with various shooting and editing techniques with a small mini-dv video camera. He attended the Technical Audiovisual Institute of his city and during the 5 years of study he produced several short films in the thriller/horror genre with dramatic overtones with some of which he won national and international awards. After finishing his years of study, he continues to attend several masters courses inherent to cinema (including a master's degree in screenwriting with Lucio Besana). One of his greatest ambitions is to be able to live solely on what he has always loved most in the world: filmmaking.

When did you decide you wanted to be an a filmmaker?

My love for cinema began when I was only 3 years old; I never liked cartoons, I was always a "different" child. I fell in love with the seventh art by seeing the movie "The Perfect Storm" with my parents, and at 4 years old I was reciting all the lines by heart. I think it was at that moment that I unconsciously realized I wanted to be part of the film industry.

How did your family react?

My parents have been supportive of my passion from the beginning, in my family they have always considered me as the "artist of the house" so they have always supported me in everything I chose to do to help me realize my dream and they still do

.

Do you have a Muse or a Role Model?

I don't have a single muse or a role model but I take inspiration from different sources. Maybe, if I have to tell someone, I really like David Lynch and Robert Eggers.

Who's your biggest fan?

Without any doubt my wonderful girlfriend.

What brings you inspiration the most?

I find more inspiration from horror and thriller films of the 70s/80s, especially I love Dario Argento, John Carpenter and Wes Craven.

Which actor or director would you like to work with?

I would really love to direct Robert Pattinson, Ana De Armas and Anya Taylor-Joy.

Have you ever seen a film that was better than the book?

Not so many because I believe that books have the "luck" of being able to make the reader imagine everything, who naturally draws on very personal memories so it is difficult to find a film that exceeds the expectations that the individual person has created by reading the book. Probably one movie that surpasses its paperback counterpart is Stanley Kubrick's "The Shining".

What's the movie that taught you the most?

There are so many films that have made me realize the infinite potential of an art like film that it is difficult for me to name just one. I will probably come across as trite, but I feel like saying that the first Harry Potter succeeded in making me understand how cinema is able to create worlds that do not exist but from which you would never want to leave and turn out to be so believable and wonderful that, in the end, in your heart, they really do exist.

About your artistic career, have you ever had the desire to quit everything?

Absolutely not and I never will. Filmmaking is for all intents and purposes a lifeline for me, and I will continue to fight with all my might to get to do what I love full time.

On set what excites yuo the most?

What excites me the most when I get to the set are the endless choices I have before I shoot every single scene. You know, you could put the camera here or you could put the camera there, you could choose to do a long take or you could decide to break the scene up into creative and particular shots and then create the pacing from scratch when you go to the editing stage...I think there's nothing more beautiful than being able to create a work of art from nothing except the knowledge that you can make whatever decision you feel is best to give your creature the right emotional impact.

And what scares you the mos?

The thing that fascinates and at the same time terrifies me most in the world is the open sea. The idea of the unknown lurking beneath that silvery body of water hundreds (if not thousands) of feet away makes me feel totally helpless. Probably if for some strange reason I woke up alone in the middle of the sea I would die before I could think of a way to get to safety.

What's your next project?

At the moment I am working on two projects at the same time, the first one is a short horror genre short that aims to depict the banality of evil that is rampant in the world, today more than ever, in a gratuitous way- The second one is an experiment, I would like to try to create a hybrid between a neo-noir story and a cosmic weird horror... we'll see what comes out of it.

You can steal the career of an artist you really admire, who do you choose?

This question is quite complicated...I would probably steal David Lynch's career or Dario Argento's career in the 70s and 80s phase.

A Filmmaker is made of....

Lots of imagination, lots of willingness to dream and a good dose of craziness.

For you Cinema is....

A reason for living, a magical world that gives me a chance to escape and dream while forgetting about the world I live in every day.

Do you think Black and white movies have a powerful impact?

I strongly believe that black and white has enormous expressive potential, I think that to this day we should look at black and white almost as a technique in itself that can help the filmmaker generate emotions and feelings that would otherwise be difficult to achieve. One of the latest black and white films that has most impressed me is undoubtedly Robert Eggers' "The Lighthouse".

Have you ever dreamed of winning an Oscar?

I would be a liar to say no.

Do you think you're gonna win it?

I am a very humble person so I could never answer this question. Hope, however, is always there in my heart.

Born in the ArkLaTex on March 1st 1979. Tony Gibson lived in many places growing up. Burbank, Ca. Oklahoma City, Longview, TX, and surrounding NE Texas small towns. French Cajun/Cherokee Indian decent, He Began in entertainment with music. Being a front man for heavy metal bands before becoming involved with a college theater. Traveling to cities for acting gigs that led to writing, directing & composing music with acting being his 1st love along side film making & returning to the stage with music where it all began.

Do you prefer Comedy or Drama?

I prefer drama over comedy, although I find comedy good medicine at times. Drama is more of an emotional impact for me. I'd rather feel the action or suspense, the thrill of it. That to me has more power when its easy to laugh, takes heart to cry, unafraid & be caught up in the momentum of a beautiful moment. 

Life imitates Art or Art imitates Life?

Art is life. I think everyone's painting is different, although we could relate somehow to each & every portrait of what anyone felt through an emotion. As if we were already creating our own versions of another place as reflections within the moments we preserve or imprint in our souls. 

Which is the best Moment on set?

The moment you could hear a pen drop at the back of the room because everyone is caught up in the moment through the monitor & the performances on cut, speak volumes for themselves when the entire set applauded the scene. Swept away by a moment. 

Did anyone ever tell you weren't good enough?

Yes. Became the norm when i was little, until I used it as a tool to become a better person, made into a weapon of the arts. 

How can you stay focused on your goal?

True love. It's leads, it's exciting, there are butterflies & sometimes its an experience both in the break & the mold of life you need to have to truly understand why you wanna keep getting better at it. 

Have you ever had a breakdown because of your Job?

Yes. Several years ago. A complete melt down actually. Lost many things, my heart even for a moment to find my soul. 

Talent is a blessing or a curse?

Both i believe. You have to feel the burning desire & be fueled by inspiration. You can grow at becoming anything you want at life but that takes risk. If you risk nothing you lose everything. You risk everything, sometimes that leads you right where you need to be. That to me, inspires the world in a very different & poetic way.

What would you like to improve about yourself as an

actor/director/screenplayer?

Everything. I am constantly learning. Even from others who are not even season performers. I analyze what is foreign to me on purpose. Because there's something there that's worth the time to help understand better to me. Why have the same tool box with the same color paints, unless you are willing to,  again, take that risk to be better at how you create or improve on how you see or make others feel?

What's the worst critic you have received?

Too far out there.... lol in outter space. From someone I loved deeply, but I listened. Didn't say much back aside from "Ok, ill work on that."

If you weren't an actor/director/screenplayer what would you like to be?

I like to build things. Love the sounds of the ocean. I would probably be out there somewhere in the universe as an explorer. Helping the less fortunate. Villages in another part of the world needing rebuilt, or the simple basics to be happy I'd help provide. Restore. Simple treasures. Earn a few smiles along the way. 

If Cinema was a color what would it be?

If cinema was a color, It's gotta have a great smell as well. Cinnamon stick brown, or lavender fields purple would be my thoughts. 

A day without a movie is...

A day to create a story from an awesome experience.

If someone offered you to play/direct/write in/a movie that you despice

but that for sure will make you rich and famous...would you accept the job?

I would have to decline. Im more about the principal & purpose, what I love & enjoy,  over just money & fame. 

The money can be made on more  opportunities you are head over heels about rather than settling for something you were remembered by because you for a moment felt it was easy or convenient. The audience can feel what you write & direct & have heart & soul behind no matter how big or small the production. Everything w time grows & gets better. Everything. Doing something just for the money without the love, to me is like a ship without a captain or crew or the wind to carry your sails. Just a boat in the water. Or going on a vacation without making love on the beach, during a sunset or full moon. Its sheer passion & fearless motivation or nothing for me. 

What's your greatest ambition?

To be successful doing what i love & get better at it. Eventually get to a place in my career where I'm able to help other people & artists out oneday. Develop an easier method for others to be seen & recognized for their work because I can't & will never accept a "Dog eat dog world." Like ever. Dogs don't do that naturally, they grieve or happy, or wait to be loved or survive in packs. Not sure where that came from. 

What's your biggest fear?

When I was a kid. The dark. I grew to love it.  Now, i suppose it's the thought of dehumanizing. I can't really imagine a world with a promising future if we where not more than content with ourselves to feel deeper or more emotionally connected through literally everything entertaining. 

Does music helps you to play/direct, write?

Yes. I hear the music that's not there in a scene beforehand in my head kinda. It carries its own frequency to help tell that part of your story better. I "Feel" a scene better through music or getting into  character. Helps being a musician. 

You have the chance to make a Silent movie, what's your message to the

audience?

"A reflection of love & art in silence" 

That's what I would want to leave people to remember. 

Share your speech if you should win an Oscar.....

I would like to thank God & the universe for the path, the gifts & the struggle. Without any of these, there would be no story. To all of you, who have came before me, who inspired heros and legends, defined ambition & persistence. Thank you for showing me how to love something so great & how to give it so freely away. Thank you for the dreams that were born from hearing about your struggle & knowing I wasn't alone. From watching how despite the odds, you stood by grace because it was what you showed you loved, that was my answer enough to keep going when i felt i couldn't anymore. It was because of the emotion you relayed, i felt with hope, I created a moment of my own & pass this torch that you helped me burn to that kid out there with a dream who hears this & knows .... anything in this world can be achieved. With hope & heart, any damn thing is possible. Cheers!

Born in Ukraine in 1964, Oleg is an award winning screenplay writer, artistic director of various film and media projects, translator, interpreter, graphic and presentation designer.

Do you prefer Comedy or Drama?

I do not prefer any specific genre as is. In a way, our life is a mash-genre story. It is a combination of drama, comedy, tragedy, thriller, catastrophe, action & adventure, sometimes a mystery, or even a mystic, and can also include the elements of detective and more. In my writing, I follow this lead. The mash-genre approach helps to tell a trustworthy story.  

Life imitates Art or Art imitates Life?

Any piece of art we can create, this way or another, imitates life as it certainly reflects our life experience. But it works both ways. I am sure that art is not just a mirror. It actively influences life. Art plants seeds that germinate. In a way, the art we create today has a strong impact on how we live tomorrow.

Which is the best Moment on set?

The best moment on set is when the director says: ”That’s a wrap! Great job, everyone!” This means much more than just achieving the desired outcome for the scene shooting.  This is a happy moment of hope that the team has created just another piece of art that can outlive us all. But it doesn’t happen all the time, of course.

Did anyone ever tell you weren't good enough?

Usually, your counterparts in the film industry try to be polite and never say things like “You are not good enough.” They say, “Your work is not good enough.” The important thing is not to take this personally. Your person is not interesting to anyone, but your work is, so the criticism relates only to your work. And yes, you should be prepared for lots of criticism. The industry is highly subjective. “Not good enough” often means “I didn’t get it,” so you’d better concentrate on how to deliver your message better. 

How can you stay focused on your goal?

The best way to stay focused on your goal is not to stay focused on it. Just remember that the goad exists. Sitting somewhere deep inside your mind, your goal is not silent. It gives you hints and clues on what to do right now or what to refrain from.

Have you ever had a breakdown because of your Job?

I have lived in Ukraine all my life, which explains many things. Our society has undergone significant shifts and breakdowns, too, strongly influencing everyone’s life here. I got my Ph.D. in geography and worked in science, then in the plastic industry, then in linguistic services, all that time writing in different languages, and also painting, and for the last 12 years concentrating on writing and graphic design for the filmmaking industry. Every turn like this implies a major breakdown, with many more minor breakdowns in between. The best way to adapt to such changes is to diversify your profile and constantly learn new things.

Talent is a blessing or a curse?

I don’t believe that some people are talented and some are not. In my opinion, every person has vast potential, but the problem is how to find and manifest it. Neurophysiologists confirm that there is considerable untapped potential in the human brain. Our mind has a fantastic capacity for rewriting and adapting to new experiences. Indeed, it is a blessing. 

What would you like to improve about yourself as a screenplayer?

To be a better screenplay writer, I need more love. I write about people and am still learning to love them all, even the antagonists and villains. It is needed to understand better what they are up to, their arcs, inner conflicts, pain, fear, and joy. If this level of intimacy with your characters is achieved, writing a compelling story in which they act is no problem. 

What's the worst critics you have received?

The worst critics I have received was: “Your lead character is two-dimensional.” But I knew it was not. The problem was that I failed to convey my understanding of my character to my reader successfully. Only a few adjustments I made solved the problem. So, perhaps, it was not the worst critique but rather the best one. 

If you weren't an actor/director/screenplayer what would you like to be?

I wish I could run the whole show. Writing a screenplay, producing it, directing it, writing music for it, directing the visual effects and artistic styles. When you write a screenplay, you create a small world for your characters, so logically, it takes much more than just writing down the action lines and dialogue.  

If Cinema was a color what would it be?

For me, Cinema is black. It fades in from black and fades out into black. The filmmaking equipment is primarily black. I think the black color is good to emphasize that you create something out of nothing.

A day without a movie is…

A good day, anyway. I need to take breaks, often big ones, to better digest movies I have seen. In normal life, I watch several movies a month, not more. Now I am in the Ukrainian army, at war, by the frontline, and I only watched several movies since the big war started. I wish I could watch more. 

If someone offered you to play/direct/write in/a movie that you despise

but that for sure will make you rich and famous...would you accept the job?

If someone offered me to write a screenplay for a movie I despise, I would probably be physically unable to write it for any money.  

What's your greatest ambition?

My greatest ambition is to generate and deliver a meaningful message which would give other people a chance to think or feel deeper about something important. 

What's your biggest fear?

And my biggest fear in screenplay writing is that one day I will find out that I have run out of ideas to develop and messages to convey. But it is not a tragedy. I would concentrate on something else I could do, as I have done many times.

Does music help you to play/direct, write?

Music certainly helps to write. It helps to build up the mood needed to write about certain things. I think it is all about vibrations, frequencies, and resonance. It works.   

You have the chance to make a Silent movie, what's your message to the audience?

I have dreamed of making a silent movie since I saw Chaplin’s era masterpieces. Perhaps, I should think about it. Once I have the message to be delivered to the audience using a Silent movie expressive means, I will write the respective screenplay.

Share your speech if you should win an Oscar.....

If (when) I win an Oscar, I should say words of appreciation. In filmmaking, like in many other teamwork things, the result is always bigger than just a sum of the individual contributions of everyone involved. It includes many intangibles like mutual understanding, compassion, support, and new ideas generated only because people work and think together in a cluster. It is a great resource - and not only in filmmaking.    

Alberto is an experimental filmmaker and writer. Many of his short films have won numerous IMBD awards. He has also published several novels in which he combines dirty realism with gloomy and surreal lyricism.

When did you decide you wanted to be a director?

I don't know if I ever decided to be a director. What I do know for sure is that there have been some films that changed my life, such as 'L'Étoile de mer' by Man Ray, 'La Coquille et le Clergyman' by Germaine Dulac or 'Meshes of the afternoon' by Maya Deren. These experimental and surreal films, among many others, have prompted me to make the short films I currently make.

 How did your family react?

I'd rather not talk about that. I prefer to talk about Julia, my wife and main partner and artistic collaborator. She is the person who has made me who I am. Without her, I would have had the same future as the friendly but sad rats that roam my neighborhood.

Do you have a Role Model?

My role model is Jonas Mekas. He filmed the world in a documentary and poetic way. He had no money, but he knew how to turn his camera into a diary of his life.

Who's your biggest fan?

If I have fans, I don't know them. In any case, it is not my aspiration to have fans, but rather an intelligent and free audience that finds something of value in my work.

 What brings you inspiration the most?

Anything can inspire me: the look of an old woman coming out of a supermarket, the loneliness of a dog sniffing a doll abandoned on the sidewalk, the smell of a bricklayer's armpit, etc.

 Which actor would you like to work with?

With any actor who doesn't mind showing his wrinkles.

 Have you ever seen a film that was better than the book?

I don't like to compare books with movies. I know that this is unavoidable when we talk about the cinematographic adaptation of a novel or a play. I think that the masterpieces of cinema based on great novels and plays have given priority to images, not words.

 What's the movie that taught you the most?

Western movies are the ones that have taught me the most. I will mention two films: 'The Searchers' by John Ford and 'Once Upon a Time in the West' by Sergio Leone. I believe that the visual languages of the Classic American Western and the Spaghetti Western are bibles of framing and camera movements. It's just my opinion, of course.

About your artistic career, have you ever had the desire to quit everything?

Every morning I want to quit everything, but after having a cup of coffee I say to myself: "Why be unhappy doing what I don't like when I can be unhappy doing what I like?" So I decide to continue doing what I like.

 On set what excites you the most?

The unpredictable excites me. It excites me to be surprised by an actor. It excites me to know that everything can be wonderful or bullshit.

And what scares you the most?

What scares me the most is someone on my team getting hurt while we film a scene that requires some risk.

What's your next project?

I have an idea wandering through my mind, but it hasn't completely come out of the fog of my unconscious yet, so I can't say anything concrete.

You can steal the career of an artist you really admire, who do you choose?

Luis Buñuel.

An director is made of....

I have no idea. I'm sorry.

For you Cinema is....

The expression of mythical time. And by mythical time I understand original time, sacred time, time that has the texture of eternity because it connects profane and everyday time with the absolute and the eternal.

 Do you think Black and white movies have a powerful impact?

  think black and white is adequate to capture the essentiality of objects and people. I usually use black and white because I make short films with a metaphysical and dreamlike aspect in which I try to show the Platonic ideal of something. I have a symbolic vision of the world. For me this world is the reflection of other worlds. Cinema, like other arts, is a bridge that allows us to see connections between seemingly disparate things and located in different levels of reality. The black and white helps me in this goal.

Have you ever dreamed of winning an Oscar?

No. I dream of making a film that is transparent and timeless like a haiku.

Do you think you're gonna win it?

I don't have the slightest chance of winning an Oscar. But I don't care. Believe me. There are more important things to me, like my own conscience and independence as a person and an artist, if I'm an artist at all, something I still have to prove.

Lubomir Dankov is a Bulgarian human rights activist, freelance journalist and amateur photographer. Since 2016, he has been studying the armed conflict in Ukraine and started publishing an informational project about the war. "The Donbass Children" is his first full-length documentary film.

What prompted you to shoot the film "The Donbass Children"?



This is a film about the war in Ukraine a war now being fought in the geographical center of Europe. It deals only with the first phase of the war, before the involvement of Russia.

In a war, of course, there are too many incomprehensible and shocking things. But what shocks me the most is the callousness, hypocrisy and bloodlust of those who make decisions in politics and in the media in the so-called democratic world. 

At the time I was researching the Ukrainian conflict and making the film, there was a wave of terrorism in Europe, you probably remember. After every terrorist act in which several people died, there was a wave of sympathy. 

People took to the streets, carrying teddy bears, placing flowers at the site of the murders.

At the same time, people were also dying in Donbas from terrorism, but not from cars or knives, but from rockets and projectiles. And not units, but thousands. When I say terrorism, I do not mean inevitable victims of military actions, but victims of deliberate shelling of civilian objects by the armed forces of Ukraine. Shelling places where there were never military units or weapons, only houses or blocks and civilians. And this fits exactly the definition of terrorism.

In the democratic world, however, there was silence about this terrorism. In the mainstream media, an endlessly distorted reality of this armed conflict was presented, and at the political level, Ukraine received unprincipled and unreserved support.

I won't go into the causes of the conflict because it would be too long, but it could have been stopped extremely easily. I know how easy it is for a country like mine or Ukraine to be forced to do something. In February 2015, the Minsk-2 agreement was signed, which was supposed to end the civil war in Ukraine. The main idea of the agreement was that the two regions, which separated from Ukraine after the coup in Kiev in 2014, would return to the composition and on a federal basis. For this purpose, the authorities in Kyiv had to change the Constitution of the country, the deadline for this was until the end of 2015. The Ukrainian side not only did not change its Constitution, but also did not fulfill almost any of the other points in the agreement. And instead of the country being pressured to fulfill its part of the peace plan, it was encouraged by the West for a military solution to the conflict. You may remember both Merkel and Hollande admitted that they wanted to buy time for Ukraine to build a strong army and resolve the conflict by force. I remind you France and Germany were guarantors for Ukraine in the peace process.

So, the west was helping Ukraine build a strong army, the country received over 16 billion euros before the start of Russia's military operation, it was encouraged with a visa-free regime. Why the West violated basic international principles by encouraging and financing terrorism - this can be discussed for a long time. In short, Ukraine was captured and brutally used in the West's new cold war against Russia. If it were not for this Western support, the conflict would have been quickly resolved, and in fact it would not have erupted.

You know very well that when one room in the house is on fire and the fire is not extinguished, sooner or later the fire will engulf the whole house. This is exactly what happened in Ukraine, and at the beginning of 2022, the war spilled over from Donbass and affected the whole country.

Then, when I was making the film  between 2016 and 2019, I had the illusion that I could influence politics and the media, at least in our country. I thought that a new round of negotiations could be organized in our country. It was already clear that no one wanted this agreement, although everyone repeated like parrots - Minsk has no alternative. Apparently I was too naive, but there is an old saying Do what we must, come what may. 

After I found out what was happening in Ukraine, I did what I could, no matter how little, at least I tried. But these journalists and politicians who created a parallel reality for this war hid the truth and misled the public in their countries their hands are stained with blood.

I know that many will not understand what I am saying and the reason is precisely because in terms of this war, they are living in a fictional world that was created in the mainstream Western media.

Many of those who believed the propaganda and saw the film will look for justification, they will say - do you know what the "others" are doing and how many people they killed... To them I would say - think about the people who are killed because of your governments, because of the support they have given to a country that uses terrorist methods. There is no excuse for this.

What were the biggest challenges in making the film?



The first time I went to Donetsk, I went with some absolutely inadequate ideas about this war. After my first stay a lot of things became clear to me and by my second stay I already knew what I wanted to do. But getting to the people who are in my film people who have suffered greatly from the war and are willing to talk on camera  proved to be a difficult task. At the very beginning of the war, many journalists from the EU and the US came to the conflict zone, but most of them after their return, to put it mildly, did not stick to the truth, which greatly demotivated the local people and it was difficult to count on enthusiasm for assistance. They were also afraid of manipulations in the sense of filming materials with injured people, who will then be presented as victims of "Russian aggression". It wasn't until my fifth visit that I managed to make enough contacts, I was put in touch with a local human rights activist Ivan Kopyl, who put me in touch with the characters from my film.

Why does the film completely lack an author's commentary and position?



My idea is for this film to be part of a series in which the truth about the war is revealed gradually. The film is aimed at Western viewers, and most of them have been poisoned by hysterical anti-Russian propaganda. They are not ready to accept anything beyond their delusions and it would be pointless for me to explain anything to them, they will take it as "Kremlin propaganda". I wanted people to see for themselves through my lens a "piece" of the truth about this war and try to draw their own conclusions. I know this is a daunting task for many, but there are open-minded people who would consider it.

What could you not achieve with this film?



A film is made to be seen by people. I couldn't handle this until now. The film went through many festivals, it has 120 awards, but outside of festivals and social networks, there is no special distribution. I was offering it completely free to our mainstream media, but they are engaged in creating a parallel world for this war. Naturally, no one wanted it.

When did you know you wanted to be a director?



What I did in my first film, as well as what I plan to do, is more of a cause and human rights activism. At the moment, I can define myself as an amateur filmmaker, by analogy with an amateur photographer. It's probably too late for me for big projects in the cinema. Otherwise, I love the cinema, but not all wishes come true.

Do you remember your first time at the movies?



No, I don't remember. But I remember the feeling after the cinema  not the first time, but many times after that. When I left the cinema on the street, it seemed to me that the buildings around had become smaller, and I had found myself in some strange environment and wanted to return to the salon from which I had left.

If you had to change country, where would you like to work?

I would not like to live and work permanently outside my country. My place is where I am now.

Who is the person who taught you the most about cinema?



If we talk about what I have been trying for some time to make documentaries, I learned the most from the editor of "The Donbas Children" Zina Nacheva. 

She is a teacher at our film academy. If the material I shot turned into a film, the credit is mostly hers. A lot of things from this process - the construction of a film from the filmed materials, I remembered well.

Alfred Hitchcock said: "To make a good movie you need 3 things: a script, a script and a script." Do you agree with him?

Somewhat. It all starts with the script. If the script is not good, everything else becomes pointless. But that doesn't mean other elements of filmmaking aren't important. And with a perfect screenplay, a mediocre or even terrible movie can be made. Everything is important cinematography, acting and directing, etc.

But since we are talking about my film, which is a documentary... I don't think there can be an exact script when making a documentary. Because you are not working with actors, but with people whom you cannot and should not influence. There may be only an idea that to be clarified in the realization. We made our film with Zina without any script, I just arranged the sequence of the interviews, everything else was done on the fly.

What is your most ambitious project for the future?



I want to finish what I have planned on the subject of the conflict in Ukraine. It is about 2-3 more documentaries. Whether I will succeed it will be understood. The problem will still be distribution. After all, movies are made for the audience. With this hysterical censorship in the mainstream media, I don't know what the effect of all the effort I've put in will be.

I have many other ideas, including in a feature film, but I wouldn't call them projects. Cinema is an expensive art, I will hardly ever realize my ideas.



What do you wish for yourself as a director?



 I wish... to find a producer who is good at finding funds. ;)

Chris began dabbling with animation in 1993 as part of the commercial arts course that he was taking at that time. Becoming fascinated with the animator’s craft, he began attending workshops held by the Manitoba Society of Independent Animators. Chris received funding from MSIA in the form of space and equipment usage and set up shop in MSIA’s studios working on his first film the Urge when time permitted. After several years of production, Chris completed the Urge 2 - It Lies Within. During this time, he taught an animation course at the Winnipeg Art Gallery - Studio Programs, worked on several small animated commercials, and began working on a screenplay for a feature film. The Urge 2 - It Lies Within has won over 15 awards at international film festivals to date, including best film, best filmmaker, and best animator. Then he completed his next film, Futureworld that won over 13 awards. His most recent film, Hinter-Land, is beginning its festival run.

When did you realise you wanted to be a Filmmaker\Actor\Writer?

I was taking a graphic arts course, and a segment of it was about animated film.  After that, I always pursued that direction.

Do you remember your first time at the Movies?

Vaguely. I don’t remember any of the movies, but I do remember Christmas events which were held before the films, when I was a child.

If you should change country where would you like to work?

Nowhere else in the long term.  Short term, any relatively safe country would be fun.

Two films that have marked your life for better or for worse…

It’s so hard to say.  I can’t think of any specific films right now, as I’ve seen so many important works.  I do constantly return to viewing Andrei Tarkovsky’s film, Stalker.

What do you think about Acting/ filmmaking schools?

I think they are a positive thing, but I didn’t take that path.

Have you ever hated your ambition?

Yes.

Francois Truffaut used to think that "Film Lovers are sick people”… was he right?

No.  Film is primarily storytelling.  Every human being is interested in story in some form or the other.

Close your eyes…if I say “Cinema” what do you see?

Scenes and images that are verging on the mystical.

Whose the Director\Actor\Writer that taught you the most?

In the late 90s, I had attended a seminar from Richard Williams (Animation Director for Who Framed Roger Rabbit, and other major works.) I learned quite a bit from him.

About your job, tell us your biggest dream and your worst nightmare…

My biggest dream would be to have a film that was very widely seen and have a strong impact on people.  I’m not sure if I have a worst nightmare.

How important is it to have a good Cinematographic Culture?

Very important. It’s the main storytelling influencer of our times, and filmmakers should handle it with care.

What would you like to improve as a Filmmaker\Actor\Writer?

The use of imagery to convey meaning and essence as part of telling the story.

A big producer gives you the chance to direct\to play (in) the remake of one of your favorite black and white movies (if you have one)… what film do you choose?

Bride of Frankenstein.

Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?

My wife.

Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script".  Do you agree with him?

For the types of films he was making, absolutely.  But there are other types of films, such as more experimental films, which can be good films without reliance on a script.

What’s your most ambitious project for the future?

I have a film in mind that would be an animated documentary of sorts, which would probably be around 30 minutes in length.

Do you think that sadness or at least melancholy lets you be more creative?

I think empathy would be more of an influence on creativity.  Of course, sadness and melancholy can have a connection to empathy.

What do you wish for  yourself as a Filmmaker\Actor \Writer?

That I would have films which are widely seen and appreciated.

Kevin is an international author, speaker and the only motivational and leadership speaker in American history to ever have a day of recognition passed by The United States Congress and New York State. He is the founder of National Motivation & Inspiration Day®, which was passed by The United States Congress after the tragic events of 9/11/2001. January 2nd is acknowledged as National Motivation & Inspiration Day® and January is Motivation & Inspiration Month®! Because of this, Kevin is also known as “Mr. Motivation and America’s Chief Motivation Officer.”

When did you decide you wanted to be an actor/director/ screenplayer?

I have written and created several books / audiobooks, but this is my first Documentary.  Like my first book, it took several years of having an idea floating around in my head before I decided to take action. So, the idea of writing and creating something new is something that I have been doing for over 20 years, but writing and creating a documentary is definitely different and more difficult. 

How did your family react?

My family has been very supportive of my writing and speaking career, but this is obviously different. It's not every day that someone says that they have "found the origins of God!"  So, I think there have been mixed feelings about it, but still very supportive.

Do you have a Muse or a Role Model?

Hmmmm.  Not really, however, as I have gone through the process of research for "The Light of Man," I have been pleasantly surprised by how many quotes and comments Albert Einstein had about "religion" and spirituality. In fact, I was quite shocked to realize that I have essentially proven one of Einstein's theories:   https://www.prlog.org/12949880-light-of-man-award-winning-documentary-proves-einstein-theory.html  

Who's your biggest fan?

Ha!  Well, certainly my partner Laurie.  She believes in me and believes in the importance of this project, as well as several family members.

What brings you inspiration the most? 

For over 20 years I have had the title of "Mr. Motivation and America's Chief Motivation Officer." One of the reasons is because I had January 2nd of every year acknowledged as "National Motivation & Inspiration Day" and January as "Motivation & Inspiration Month" by The United States Congress and New York State. So, "inspiration" has been a part of my personality and life mission!  To motivate, inspire and uplift people to become their very best.  And, therefore, this documentary, "The Light of Man" is the culmination of my life's work! To motivate, inspire and uplift people! To help them understand how truly special and capable they are!  That they are a "miracle!" And that each individual is capable of amazing things!  As Einstein said, "you can live as though nothing is a miracle, or you can live as though everything is a miracle!"

 About your artistic career, have you ever had the desire to quit everything?

No. Quite the opposite!

"Success" has come late to me in life. I have had so many failures and failings, that I can't wait to do more! I don't want to "quit everything," I want to DO EVERYTHING there is to do!!

 On set what excites you the most?

Having been a fairly successful athlete has prepared me to experience those butterflies and nervous energy that come when you do something new and exciting.  Sometimes, "the nerves" are a little difficult to manage, but the intensity and excitement are what make life so amazing!!! I'm afraid that I let the nerves get the better of me a few times while filming, but everything seems to have worked out OK.

And what scares you the most?

I think "scares me," is too strong a sentiment, but I suppose the feeling would be, not being "successful."  To not leave a mark on the world to show that I was here and did something worthwhile. To leave an example, a "legacy" that is inspirational, uplifting and motivational for generations that follow.

 What's your next project?

I'm not sure yet, there is still so much work to be done trying to spread the message of this documentary, "The Light of Man."  I want the world to see it and be inspired by it.  Since I began this project, I have said to friends and family, I'm not sure what happens on the other side of this film, but I guess I'll know when I get there.

An actor/director/screenplayer is made of.... 

 Imagination and Creativity!  Another Einstein quote is: "Imagination is more important than knowledge.  Knowledge is limited. Imagination encircles the world!" 

For you Cinema is....

An escape!

Have you ever dreamed of winning an Oscar?  Do you think you're gonna win it?

Yes.  I have!  Once again, having spent 20+ years speaking on motivation, inspiration, management, leadership and goal setting, I have always spoken to organizations and teams about creating a vision, a mission or a goal.  Any endeavor should start with a goal, objective or vision.  I have always encouraged people, personally and professionally to establish a "vision board" of what they want in their lives.  Like the "Law of Attraction," bringing what you want into your life.   So, Yes, I have established a "vision board" with an Oscar, Emmy, and Nobel Peace Prize for "The Light of Man." I truly believe that it is a transformational and globally unifying message about Peace and Unity! If my dream / Vision comes true, it is not for personal gain or for my ego, but rather it means that the powerful message in "The Light of Man" has gotten through to millions of people and will make a difference in the world!

Camille Solal is an actress, writer and certified coach. She grew up in Reunion Island, lives in Paris and is French and Australian. She appeared in Roommate wanted and Zai Zai Zai Zai by François Desagnat, Hexing and Reverse by Christophe Lenoir which was selected and projected in the Big Apple film festival in New york and for which she won awards as best actress, and Cash by Jeremie Rozan, released on Netflix on July 6th. She is also a speaker and coach for the Tedx conferences. www.camillesolalconsulting.com www.camillesolal.com

When did you realised you wanted to be an actress?

I didn’t want to be an actress I guess… I just always was 🌞

Do you remember your first time at the Movies?

Not really, I think it happened quite late because I was living in Reunion Island at the time and we didn’t have many cinemas. But when I was a teenager  the movies were  always the time and place for me to bond with others, and myself. À true place of connexion.

If you should change country where would you like to work?

USA or India I think.

Two films that have marked your life for better or for worse…

Festen….. Because I really can relate to the family secrets and destructive games and Singing in the rain because it is the absolute movie for me

What do you think about Acting/ filmmaking schools?

I enjoyed mine for three years because it taught me the technique and tools and discipline. But I had everything to learn when I graduated in terms of auditions, networking, defining my identity as an actress etc… I think a great school should teach many things ( economy, history, culture, sports, geopolitics) because knowledge and polyvalence are at the very core of our job

Have you ever hated your ambition?

Not hated, more suffered a lot from it

Francois Truffaut used to think that "Film Lovers are sick people”… was he right?

I would rather say sad, disappointed or hungry for more…

Close your eyes…if I say “Cinema” what do you see?

I see myself on a film set, so happy and excited to tell a new story with characters…. I see stories and characters.

Who’s the Director\Actor\Writer that taught you the most?

Not one in particular, many inspire me and taught me precious things. My husband is a film director, he taught me what true consistency and persistence means when you believe in your work and won’ t take  no for an answer

About your job, tell us your biggest dream and your worst nightmare…

My biggest dream is to be able to write and direct my own movie telling an intimate thus universal story and my worst nightmare would be to lose freedom of speach, thought, creativity because of totalitarian politics .

How important is to have a good Cinematographic Culture?

Very important because the more culture you have the more specific and innovative you can be in my mind.

What would you like to improve as a Filmmaker\Actor\Writer?

I would love to be more and more organic and instinctive even with a lot of lines

A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?

Evil M by Fritz Lang!!

Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?

My husband. Always. He shares my passion and writes and directs and teaches cinema and editing and postproduction  and we don’t see what we do as an industry or a job, we just live that way.

Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script".  Do you agree with him?

Location, location, location! Yes I agree, it is the frame within which we can be free of creating… but I am a great fan of improv as well, so I would say a great script and the freedom to improvise and decide when you edit the film

What’s your most ambitious project for the future?

I can’t tell you that, can I? 🌞 grow in silence and blossom in public that’s my motto :)

Do you think that sadness or at least melancholy let be more creative?

Yes but it can also become a bad habit and put you in a corner or even become an illusion of identity. To do this job you must be able to be inside and outside of yourself so we need to work to be blank pages, available raw material in terms of emotions.

What do you wish to yourself as a Filmmaker\Actor \Writer?

To fulfill my potential and to create  a wonderful life of storytelling which will reach out to people everywhere . I love people :)

Alix was born in Manhattan and raised in Brooklyn. His fascination with moving images began in October 2003 when he wrote and cast his first full length indie film, "Love's Sweet Thing". Winning it's first "Honorable Mention" the film was screened at the 2004 Women of Color Film Festival and was an Official Selection of the 2005 African Diaspora Film Festival. It was it's during production Alix was fortunate enough to have been featured in a half page Backstage article entitled " No Strings on this Love". An attempt to recreate this success with a second film with his then partners in Black Phoenix Productions resulted in a fracturing of the group during the production of Outlawz: The Ronin.

What's the absolutely necessary ingredient to be a good actor/director/screenplayer?

 A passion and love for the craft. Anybody can act, write, or direct, it’s that passion for the art that drives you to want to learn and do the things necessary to bring our work to life.

First and last cinematographic crush?

“A Raisin in the Sun” and “Avengers End Game” A Raisin in the Sun, starring Sydney Poirtier and Ruby Dee is a no brainer, Avengers End Game? Give me credit for courage, I am a comic book geek. I grew up when reading comic books wasn’t cool. When Marvel studios could not do an accurate portrayal of their work. To see all those characters come to life, working together, the special effects, the colors, to me it was just magic. I don’t believe they’ll ever be able to capture it again, but for a brief moment, it brought my childhood memories back to life.

 How old you were when you decided you wanted to be an actor/director/screenplayer?

I’m not sure this was my decision. I started background acting in my mid 40’s because I needed work. As the situation evolved, I decided I wanted to write, then produce plays, then indie films. After a time, it just seemed natural.

For you a Film is...

Art, the expression of emotion in depth and color.

What do you feel when you're acting/directing/writing?

I feel a joy, fear and I feel nervous. I love what I do, Deep down inside, I am a Martial Artist. It’s a single path, but with filmmaking, you have to depend on everyone to do their part then bring it all together, this is what makes me nervous. A film is only as strong as it’s weakest link. The lighting director that doesn’t always show up, the actor that’s always late, the crew member that quits in the middle of the project. It all shows in the work.

You can go to the Movies with an actor/director/screenplayer that you

love. What kind of movie do you choose and with who you're gonna watch it?

It would have been Sydney Poirtier. I ran into him on 5th Ave and 55th Street in New York once. As I was crossing the street, I saw this very handsome regal man. He nodded hi to me, I nodded back. I passed him without a second thought. About 15 feet later I realized it was Mr. Poirtier. I must have looked like a mad man rushing back to him. I gushed at the thought of speaking to this legend. He was kind and gracious, stood on the corner chatting with me, offering me fatherly advice. One of the best days of my life. I would have loved to get his take and ideas on dramas such as A Raisin in the Sun, Shawshank Redemption, The Green Mile, Unforgiven, to Sir with Love, and some of his comedic work in Uptown Saturday Night.

 Audrey Hepburn used to say “Nothing is Impossible”, what do you think

about it?

I think it’s an accurate statement. Life is often times stranger than fiction and with determination and focus, achieving one’s goals can come to fruition. Only question may be, was that goal worth all that time and energy?

 Can you live just of your passion?

Absolutely not! It would be heaven if I could. Some actors say they’re living their dreams. God bless them, if I had the means, I would.

 What's more important talent or luck?

Luck is more important. Some performers have made some pretty great careers with no talent. I can think of at least one person with no talent at all, who became famous over a sex tape.

You must go to a desert island but you can bring with you just one movie...

It would be “Goodfellas” The cast was amazing! It had DeNiro, Liotta, Pesci and Sorvino all directed by Scorsese. I’ve watched it a million times and could watch it again.

Have you ever accepted a part/ a movie to direct/ a script to write even if you didn't like the project?

Never. I once worked for an industry director who was doing casting calls, when I was new to the field. He kept calling in actors to audition for his script. I thought the story was horrible and poorly written, but week after week, as actors came in and read, the performers lauded how great the script was. One day, an actor I knew and respected came and read and told this director how wonderful the script was. As I walked him into the hallway, I said to him, “You really liked the script?” He replied, “No, that’s the worse piece of garbage I’ve ever read.” I asked then why is everyone telling him it’s so great? His reply was simply, “Because we’re actors. We want to work.”

What's the best compliment you have received about your Job?

I once screened a project. During the Q&A I mentioned, I was not working and am devoting my full time to try to market the film. I was treating it as a full-time job. An Audience member then said, “Don’t quit your day job!”

Are you satisfied about your career?

I would say yes. I would be happier if it was a full-time job and I could live my dream of making films, but the longer I write, create and produce, the more I am bringing stories to life on my own terms and my own level. It’s fun waking up in the morning and preparing a shoot.

 Do you have a good luck charm?

I don’t believe in luck to get films done, it’s all about the work of creating and paying attention to every little detail. It’s about having sufficient back up equipment to bring the project to fruition. No one has ever given me anything and I’ve never asked. I just remind myself, “If I am weak, the project dies.”

Which is the worst moment on set?

The worst moment is when we shut the gate and you realize you may not see some other actors again for a long time, or that everyone will be so busy, they drift apart.

How do you feel when a job you've been part of it's ending?

There’s a sadness and a relief, followed by, now the hard work of post-production.

 Have you ever lied to get a part/job?

Never. Take me as I am, recognize my ambition and talents, or it’s your loss. I don’t beg to do someone a favor.

 If you should win an Oscar your first thought would go to…

 Norm Peterson. In the 90’s there was an episode of ‘Cheers’ where the most likeable barfly, Norm Peterson was hired as a corporate terminator. Everyone knew, if they got a call from Norm, it was a wrap. Maybe people believe, maybe they don’t believe the curse of the Oscars, but I’ve seen every Oscar winner’s opportunities disappear, the divorces and the poor quality scripts they’ve taken after winning.The Oscars are tainted, it’s an old relic of “tinsel town”. It’s a gold statute won by one’s “peers”, but can anyone name one person on the Academy besides the President? It’s history is that of racism and exclusion. From John Wayne’s attempted physical assault on Sacheen Littlefeather to Will Smith’s breakdown on camera, there was a huge disparity on sanctions the Academy had taken. I would probably write the Academy, “Thank you for the honor, but I must decline.” I would be more than happy with a “Good job,” a thumbs up, or a pat on the back from my actual peers.

Christina Teenz is an up-and-coming creative lyricist and storyteller. She is the co-creator and musical lyricist for many pop and rock musical songs featured on the Lim Fantasy for Companionship. She draws lyrical inspiration from her worldly educational and life experiences, having studied at UC Berkeley and completing her MD at the University of Melbourne. Many of her lyrics are penned based on personal experiences and individuals encountered through her years at school. She is currently based in West Hollywood and will continue to draw her bold and flavorful creative expression from the art and music cultural scene in Los Angeles, whilst training as a Neurology resident at Cedars-Sinai Medical Center.”

When did you decide you wanted to be an actor/director/ screenplayer?



On our feature album the Lim Fantasy of Companionship, we always imagined that our songs would be animated into music video format so that we could share our lyrics and music in a captivating way. In creating our music video Off To College, we brainstormed with a storyboard with hand drawn scenes of two best companions in a college setting. Through animation, it has been transformed into a lovable music video! 


How did your family react?


They are incredibly thrilled that we tapped into our creativity and passion in creating this storyline and music. We could not be happier to share our original music with the world!

Who are your fans?


We are very grateful to have been nominated and awarded prizes for our songs featured on the Lim Fantasy of Companionship. Our audience base is very diverse, spanning across continents and cultures from Asia, Australia, Europe to USA.  With our song Off to College, we hope to invoke a sense of nostalgia of sweet and unforgettable memories from younger years gone by.

What brings you inspiration the most?


We are inspired by each of our members of the ALAN team comprising musicians, lyricists, composers, guitarists, bass players, drummers, pianists, animators, directors! They are talented and inspiring in their own ways.



What's the movie that taught you the most?


My Octopus Teacher stands out to me for its original documentary style, stunning underwater visuals, and emotional impact of exploring human friendship with marine life. It certainly leaves food for thought about our relationship with nature and the world around us! 


About your artistic career, have you ever had the desire to quit everything?


I love our musical journey and cannot imagine quitting! Right now, we are excited that our music video Off To College has been featured at the New York Movie Awards. 

What's your next project?


Currently, our team is working hard creating new songs for ALAN 3, a riveting story that explores the future of human companionship and AI as we take a deep live into our beloved, precious oceans..  


An actor/director/screenplayer is made of....


To me, authenticity is key in creating film and music. In our song Off To College, I tapped into my creative expression as lyricist, but also drew from real-life experiences which inspired our genuine characters and storyline.

For you Cinema is....


Cinema is all about films, which provide a window into another artist’s mind. I love films that combine a thought-provoking storyline with a cinematic soundtrack—just enough to spark the imagination!


Have you ever dreamed of winning an Oscar? Do you think you're gonna win it?

Yes, I have dreams of winning an Oscar! So far, we are grateful to have taken home many incredible awards for our songs, music videos and feature animated film from International Film Festivals. 

Brett Ashby is a multidisciplinary artist, performer, presenter, and author from Naarm, Australia. Ashby’s art practice includes sculpture, performance installation, painting, music, and major public commissions, framing Ashby as a prodigious figure in the contemporary art world. Ashby is recognisable for his unique methods of practice employing a skateboard or surfboard as a tool to paint aura. His work is linked through a poetic and intuitive sensitivity to the expressive potential of space, light, colour, context, and materials. Ashby is the Director of the short film ‘The One I Love’, which received Best Short Film awards in 2023 from many countries and was awarded Best Inspirational Film at the 8 & Halfilm Awards. Capturing the vibrations and energy within the time and space he is creating in, the colours in his art align with positive psychology, art therapy, and faith and offer healing properties.

When did you decide you wanted to be an actor/director/ screenplayer?

I studied film making and was focussed on music videos during University in 2005. After University I worked in television as producer and Director for many years, it became an understanding that through my International journey in the visual arts, I soon found myself in front of the camera. I didn’t decide, it was much more a natural occurrence

How did your family react?

Interesting question, my family have never reacted to my screen work

Do you have a Muse or a Role Model?

Not a single entity, I work as a visual and performance artist. I surround myself with community, actors and musicians, these people are my tribe and we constantly live through each others consciousness

Who's your biggest fan?

Actor Sophia (Davies) Dunn, a recent subject in my ‘Inner Essence’ portrait series, Sophia's feedback, attention and support towards my art. It utterly shifted my thinking, so deeply, I'm very grateful   

 What brings you inspiration the most?

Grounding myself in meditation, deep breathwork exercises under water or the simplicity of surfing waves 

Which actor or director would you like to work with?

Spike Lee

Have you ever seen a film that was better than the book?

Forrest Gump

What's the movie that taught you the most?

The One I Love, by Brett Ashby 

About your artistic career, have you ever had the desire to quit everything?

Sure, we must grow, re birth and transform in ever moment. The one thing I've learn’t is that you must never quit

On set what excites yuo the most?

It’s the vibrant romance between the space, place and community. The culture a shoot creates, shares and its expression, is what excites me

And what scares you the most ?

I don’t have a fear cell in my body, its important to remain present at all times, we only experience thoughts and they can be edited.

What's your next project?

I’m currently in final production on a long form film titled: Bliss with Cash Savage. It explores my ‘Energy' series of portrait paintings performed while riding a skateboard, surviving cancer and what it means to be alive. The inseparable state of emptiness and clarity, that intense pleasure of being alive.

You can steal the career of an artist you really admire, who do you choose?

I steal Brett Ashby, I’m happy with me. x 

An actor/director/screenplayer is made of….

Penélope Cruz, Brett Ashby, Johnny Depp

For you Cinema is….

A rupture of light for eternity, seeing nature through a lens of ones perception 

Doyou think Black and white movies have a powerful impact?

Sure, it holds a frequency, colour invites aura which is very different to the shadow

Have you ever dreamed of winning an Oscar?

No, but I’ve seen myself hugging ever so tightly Lady Gaga at the Oscars

 Do you think you're gonna win it?

100% no human can stop LOVE

Katherine is an independent researcher, writer, and musician. Her projects may be divided into two areas: those that relate to sound and music, and those that relate to science as applied to the study of artworks. Over the years, she has written for a variety of music and production/engineering trade magazines, scientific journals, along with an award-winning literary review. Since 2011, she has been affiliated with the remote recording studio, Le Mobile; and since 2012, multi-Grammy winning music producer, David May. She also shares an ongoing long-time research collaboration with artist and Humboldt Prize winning astrophysicist, Ed Belbruno. In 2023, she wrote a short screenplay called, DINNER WITH DANTE, which reveals the story of a WWII widow and the unusual relationship she strikes up over the course of her lifetime with the statue of Dante in the Piazza di Santa Croce in Florence, Italy. The film has won numerous awards and marks her debut as a screenwriter.

When did you realize you wanted to be a Filmmaker\Writer?

I do believe that the things that are to be central in our life often chose us and so in my case, writing chose me when I was a very small child. Throughout my childhood I was obsessed with words, how they sounded, their shapes, the images they conjured up when uttered and most of all what they meant. I was especially fascinated by anything that had to do with subtle shades of meaning. In the script or film world what you would call nuancing.

The same goes with being a musician. In my earliest years I could not stop singing and playing the piano and this went on day and night.  Eventually, as time passed, I began to see words and music as being very much related, with each note being a letter with its own potential to become a paragraph or a story. After studying classical music, I fell in love with the blues and Third Stream Music which opened a whole new world of sonic colors, words, and possibilities because it was a world where feeling presided and grammar didn’t really matter. Much later, when I was exposed to film, I became absolutely mesmerized by the power of great cinematography and the elegant efficiency of telling stories through visuals in addition to using words and music.  To me this was such a freeing concept, and it was then that I was completely sold on its potential as a very high form of art. 




Do you remember your first time at the Movies?



Hmmm...it was probably Star Wars, which to this day I still love.


If you should change countries, where would you like to work?



I am most inspired and at peace when in Italy and so it’s there that I try and stay.

Two films that have marked your life for better or for worse…

For better: Camille Claudell, with Isabelle Adjani and Directed by Bruno Nuytten. It’s cinematically beautiful and the story, which is true, is quite powerful.  For worse (but through no fault of the director or cast):  A Girl Named Sooner, with Susan Deer and Directed by Delbert Mann. I saw it as a child and only remember the scene at the end... when Sooner, the protagonist’s beloved parakeet gets stoned by the kids she was trying to be accepted by.  Because Sooner was so desperate to be accepted and belong, she remained frozen and was unable to stop these terrible kids from hurting the one thing that was most important in her life, her bird. As for the bird, it was so loving and trusting that it never tried to move away from the stones that pelted it. That scene haunted me my entire childhood so that even to this day I would not be able to see it again.   




What do you think about Acting/ filmmaking schools?

I do not have personal experience with acting or filmmaking schools per se, but I know that top talent has emerged from them. In general, I think that anything that gets a person to the next level in their trade is great.  But I also feel that whatever a person decides to do, they need to do it for all the right reasons and have a unique vision...or something to contribute that’s meaningful. And of course, passion is an essential ingredient. If they have these things, then they should be okay, especially when the road gets difficult, the days long, and they start questioning everything. 


Have you ever hated your ambition?



Well, to be totally honest, yes. I have often wondered what it would be like to just kind of go through without having life this driving quest pushing me to go forward because it doesn’t really let me ever rest. I don’t mean that I want to achieve or accomplish great things to make a name for myself. I really don’t care about this. What I care about is to be in a position to change the world for the better on both a macro level and a micro level and to be able to reach the people who most need it. With respect to film, an example of this might be helping someone to feel less alone. Or perhaps I can inspire people to learn more about a historical figure or epoch or maybe see the world in a different way and to see things not just both ways but in all ways.


Francois Truffaut used to think that "Film Lovers are sick people…” was he right?



The “gravedigger of French Cinema.” Well, I suppose he meant that “film lovers are sick...” because many of them are addicted to watching or creating films and this is its own sickness in a way because they are continuously compelled to do this as if they have no free will. Perhaps he had also tired of his own relentless ambition because it had led to some serious challenges in his relationships and life. Whatever the case may be, being truthful or pushing forward a unique artistic vision is not often easy because it can alienate a lot of people for different reasons; and the truth is, no one really wants to stand alone. Maybe in the end all he wanted was to just sit in silence and stare at a blank wall without having to feel this overriding need to create or analyze anything.


Close your eyes…if I say “Cinema” what do you see?



An ocean of endless possibilities.


Who’s the Director\Actor\Writer that taught you the most?



There is no single person that I can think of but rather I’d like to think that I borrow my inspiration from many... and there is so much talent out there! I am a big fan of early Italian and French films by iconic directors, but I am also inspired by some of the films from the 70’s and 80’s and even 90’s and beyond. Just recently I watched: Le Cheval d’Orgueil or The Horse of Pride, a rural drama directed by Claude Chabrol. One of the things that struck me the most about this film, which is from 1980, is that every single scene was cinematically stunning. I mean, when you can literally freeze each frame in a film’s sequence and recognize it as its own legitimate work of art, then that’s just incredible. At least to me.  I also love black & white American films from the 1950’s and was crazy about Rod Serling’s series, The Twilight Zone, as a kid. And as for writers, I tend to favor the old European school of writers, but I also love Charles Bukowski, Joan Didion, Oscar Wao and of course many, many others. 


About your job, tell us your biggest dream and your worst nightmare…

My biggest dream is to change the world for the better in some way and to perfect my skills as a researcher and a writer along the way. I do feel that making films can be one highly effective avenue to reach this end and for this reason, I have promised myself that if any of my films make money, a portion of all proceeds will be donated.

As for my worst nightmare, it would be to live a life devoid of passion and meaning; to just kind of drift along like a boat with

 no sail or course.


How important is to have a good Cinematographic Culture?



I think the role of having a positive cinematographic culture is essential because it has the unique power to not only inspire new ideas, stories, and even artforms, but it also enlightens and educates the viewer on important topics in ways that they might not be reached otherwise. 

Some years back, when I wrote for a wonderful award-winning literary magazine that is sadly no longer around, I worked on an inspiring project with Harriet Mayor Fulbright. Many people will have heard of the Fulbright Scholarships but not be aware of the incredibly important work that the late Senator Fulbright’s wife, Harriet Mayor Fulbright, has done over the course of her lifetime. The project we worked on together involved dialogues centered around peace and cultural understanding through the arts. She was so inspirational to be around and her vision crystal clear. She felt very strongly that art could save us as a race because of its ability to reach many people at once while stripping away the barriers to understanding.  I remember that she’d travel the world as an arts ambassador and give these amazing speeches to very large audiences. My point is, all of this goes back to having a positive cinematic culture because it’s all in the art of the lens, the dialogue, in looking at things in all ways and from each side that can truly make a difference in this world. What do we have to lose?


What would you like to improve as a Filmmaker?



As a writer I would like to be able to express exactly what I see in my head and feel creatively in my heart but with an economy of words and cinematic vision. So, in other words, reducing everything to its most elemental form by keeping it simple but incredibly powerful.


A big producer gives you the chance to direct\to play (in) the remake of one of your favorite black and white Movies (if you have one)…what film do you choose?

 

I would possibly choose Alfred Hitchcock’s “The Birds” because I love birds and have always found that scene where the birds look like they are attacking the protagonist hysterically funny but rather sad. I heard that Hitchcock had their beaks taped shut and their feet tied which is not a very nice way to treat pigeons, especially since they don’t attack people. So, I would probably remake that scene. As for the European films I love, I don’t think I can make them any better. If I did it would be for tiny things like making a scene last a few seconds longer or perhaps changing a few words in the dialogue or the emphasis on certain words. Sometimes these small things can make a difference. I might have the soundtracks remixed too.

.
The Film Industry is a tough place and sometimes it’s normal to feel lost and discouraged… who’s the person that keeps you motivated? 

Hmmm...I think I keep myself motivated. Every industry or profession can make one feel totally alienated or discouraged at times but at the end of the day, I always remember that it’s only me that I need to answer to and this always helps.


Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script".  Do you agree with him?

What’s your most ambitious project for the future?

I agree with Hitchcock in the sense that without great content there is no point. However, I think the role of the director/filmmaker is enormous because if they are talented enough, they can take a weak script and rework it with some magic so that the visuals carry it almost entirely. Of course, a great director is unlikely to take on a poorly conceived script or story in the first place though.




Do you think that sadness or at least melancholy lets you be more creative?

My life has been full of many mountains and many valleys and some of these valleys have been quite deep. When Fellini said “You have to live spherically – in many directions. Never lose your childish enthusiasm...”  I think he meant that life can’t be fully understood or appreciated without being able to exist on these different planes of existence... and sadness (or melancholy), is just one of these planes. However, a child-like enthusiasm is also needed because seeing the world through the lens of a child is not only beautiful but also necessary because it is the innocence and purity of that vision that is essential in conveying a deeper truth... and it is this truth that in the end can carry you through.  But I am also reminded of what Goethe once wrote, “the soul that sees beauty may sometimes walk alone.”

I also do believe there is a reason why many talented artists suffer from depression, and this goes back to them being born with an incredible capacity or gift to understand things from a very deep, almost elemental level; and of course, seeing things from this perspective can be very painful. I like to think of it as flying at a different cruising altitude. The higher you go the more you can see how everything is connected to everything else, but the downside is the fall can be steep. I think it’s far easier to go through life at an altitude of 5,000 feet than 40,000 feet and be immune from this often very real undercurrent of what I call reality sadness... but then of course you’d risk losing the incredible richness of life’s many layers. And creativity is often (but not always) born from a place of pain, struggle and the desire to reach out and be heard.




What do you wish to yourself as a Filmmaker?

For me personally it is essential to remain truthful to myself and to not create anything that isn’t inspired or at least felt from an honest and very deep place inside.