Steven Bonds - Interview

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Who's your biggest fan?

My family, Wife, daughter, step son and mother.  

What brings you inspiration the most?

What brings me inspiration is being able to make a change in people’s lives. I’ve seen the worst in people and the best. If I can make one person laugh from this movie, I’ve done my job.

Which actor or director would you like to work with?

M Knight.

Have you ever seen a film that was better than the book?

Yes, Holes! With Shia Lebeuf

What's the movie that taught you the most?

Interstellar. I learned from it patience, and sometimes things we don’t like or want are more important for those we care about.

About your artistic career, have you ever had the desire to quit everything?

Man, there’s not a day that goes by that I think, why am I doing this. 10 years and nothing to show for. But I decided I don’t have a hat rack to hang my hat on yet. Maybe one day when I can afford a hat rack I might retire.

On set what excites you the most?

I enjoy relating to and helping people at a level they are comfortable with so I can hype them up and show them they can do it and give them more hope than they came with.

And what scares you the most?

Not much scare me these days. I’m all in. Family and career. Without those I have nothing.  

What's your next project?

My next project is the hardest question in this line up. I have several of my own. One a friend of mine gave me a few years back, but if my own id have to say An American Folklore. It really dives into the mind and gives an understanding of mental health that just isn’t seen in Indy films.  

You can steal the career of an artist you really admire, who do you choose?

Clint Eastwood. But, it's not out of the realm to earn my into a lifetime career.. 

An actor/director/screenplayer is made of.... 

Warrior. A Keyboard Warrior but still a Warrior. 

For you Cinema is....

Life! Look at my left arm. I’ve got my gang initiation (a giant film real that turns into a snake) tattoo and the big guys in the game just don’t know I’m in it yet.

Do you think Black and white movies have a powerful impact?

Black and white movies have the most powerful impact. Today, the kids going through school learn how to do and be filmmakers and watch them, but don’t really put themselves in the shoes of a black and white film character. Those that can are going to be great in this industry. We live in a precious time where Black and white is overlooked by most fans. It’s nice to have knowledge and know this concept came from this black and white film or that from this.

Have you ever dreamed of winning an Oscar?

It's funny, I’ve watched the Oscars. I looked up to Will Smith, watching Will punch an alien in Independence Day was awesome and made me want to act and stand in front of a crowd of people to give some speech of how I did it.  After watching Will Smith slap Chris Rock, witnessing the cowardice of every Icon in that room taught me that awards are nice, but overall, how we live and the legacy we leave behind matters more. Should something that matters to me land me an award, then great, it means the masses agreed with me.  However, awards are not my personal goal. My personal goal is to be the best version of myself possible. This was a goal I had in mind when I wrote Walking Red Flag. The bare bones of my film questions a person’s ability to deal with internal conflict and rage. I felt a connection to Will Smith and his outburst of rage put on public display for all to see. His mask slipped and he will never be seen the same regardless of the personal work he does to better himself. The weight of this is what forces us all to hide behind our own personal masks. One day, should I be lucky enough to stand on stage with Will Smith, shaking his hand, I will know Will has dealt with his traumas which would be more of an award than any Oscar could favor from me. On the other hand, when I look at Heath Ledgers’ amazing performance in Batman Dark Knight, which earned him an Oscar.  This is where Heath Ledger’s character Joker, a villain. However, he made himself the hero to many men and woman out there with mental health problems and urges to lash out in the real world to act as the joker in their own lives and made it in such a way they dreamed instead of acted. Winning an award would be meaningful if I’m following in the footsteps of my hero Heath Ledger, Yes! If it means accomplishing what he did. An Oscar is the highest honor in the film community such as the personal struggles that come with it.  

Do you think you're gonna win it?

It depends entirely on how good a taste in Dark comedy these judges have. Rape is a tough subject. Unfortunately, it exists and the only way I can point It out is by making fun of it. It’s not funny in any way shape or form. But hey, I can only stand up to one issue at a time. By showing the world how absurd it is, I hope the movie touches people that have dealt with the issue. 

What really excites you artistically or emotionally? 

What excites me most—both artistically and emotionally—is the power of storytelling to reveal truth through human connection. I’m drawn to the quiet, often unspoken moments that define who we are: the tension between what’s said and what’s felt, the beauty that can exist even within pain, and the resilience that emerges from struggle.

Marlon Brando said “Never confuse the size of your Paycheck with the size of your talent”. Do you agree? 

Yes, I completely agree with Marlon Brando’s words: “Never confuse the size of your paycheck with the size of your talent.” Talent and artistry are not measured by financial success, but by authenticity, dedication, and the courage to tell meaningful stories.

Have you ever been discouraged by someone about your life\career choices? 

Yes, I have been discouraged by others about my life and career choices — but those moments have only strengthened my determination to follow my own path. The creative journey is not always easy to explain or justify, especially in an industry where success is uncertain and deeply personal. People often see the challenges but not the passion that drives the work. As a writer and director, I’ve learned that doubt — whether from others or from within — can be a powerful motivator. Every “you can’t” or “you shouldn’t” has pushed me to prove that I can and that I will. Creativity doesn’t follow a straight line; it thrives on perseverance, faith, and the courage to keep going even when support feels distant.

Do you think is harder for a woman being a Filmmaker?

 Yes, I do believe it can be harder for a woman to be a filmmaker — but that challenge has only fueled my passion to create change. As a director and producer, I’ve made it a personal and professional mission to empower women, both in front of and behind the camera. Through my work and my company, I strive to build spaces where women’s voices are heard, respected, and celebrated. The industry has made progress, but there are still barriers — from unequal opportunities to limited representation in key creative roles. I’ve seen firsthand how women often have to prove themselves twice over to be taken seriously. Yet, I also see the strength, creativity, and resilience that women bring to every aspect of filmmaking. That is what inspires me to keep pushing forward. 

Do you think that Fame and money could easily change your own Vision as a Filmmaker\actor\screenwriter? 

Yes, I believe fame and money can easily influence or change a person’s vision — and that’s exactly why I stay grounded in my purpose and values as an artist. I’ve seen how success can become a distraction, shifting focus away from storytelling and toward expectation. For me, it’s important to remain humble and remember why I started creating in the first place — to tell honest stories that connect with people. As a filmmaker, actor, and screenwriter, my goal has never been about chasing fame; it’s been about authenticity. God comes first, then the Art. Recognition and financial success may come along the way, but they should never define the work or the message behind it. I remind myself that every project is a chance to learn, to collaborate, and to grow — not to compete. Staying true to that keeps me focused on the creative journey, not the noise around it.

Who’s the Movie star that made you dream for the first time? 

Henry Winkler as Fonzie in Happy Days.

Make a wish about your career... 

My wish for my career begins with putting God first in everything I do. Before anything else — before fame, success, or recognition — my purpose is to glorify the Lord through my work and the way I live my life. Every story I tell, every project I create, and every opportunity I receive is a reflection of His grace and guidance. I pray that my path in the film industry continues to align with His plan for me. I want to be a successful producer and director — not just in terms of career accomplishments, but in a way that honors God and inspires others. My goal is to make a living doing what I love, creating meaningful films that touch hearts, uplift spirits, and speak truth.

Talking about cinema\Showbusiness, how hard is to remain completely honest to yourself as an producer /director/writer?

 In the world of cinema and show business, it’s one of the hardest things to remain completely honest with yourself — but it’s also the most important. This industry can be filled with noise, pressure, and temptation to compromise your values for success, recognition, or acceptance. As a filmmaker, I’ve learned that staying true to who you are requires courage, faith, and constant reflection. For me, it begins with putting God first. My creativity, my opportunities, and my vision all come from Him. When I remind myself of that, it becomes easier to navigate the challenges and distractions that come with this business. I don’t want to just make films — I want to make an impact. I want every project I produce, direct, or write to carry integrity, truth, and heart.

The Film you have loved the most? 

Grease

And now, don’t be shy, the one that annoyed you the most? 

The movie My Cousin Vinny, tho the film was great it did not need the language it had in it to be great. It could have been done without the 4 letter words and still be a great movie. 

Your biggest artistic goal is… 

My biggest artistic goal is to create stories that resonate deeply, inspire change, and leave a lasting impact on audiences. As a filmmaker, writer, and director, I strive to craft work that is authentic, emotionally honest, and visually compelling — stories that not only entertain but also move people to reflect, feel, and connect with the human experience.

What profession other than your own would you like to attempt? 

Entertainment Restaurant

How important is to be rewarded as a producer / director? 

Being recognized or rewarded as a producer or director is certainly meaningful, but it has never been my primary motivation. For me, the most important reward is the work itself — creating stories that move, inspire, and connect with people. Every project I produce, direct, or write is an opportunity to bring something meaningful into the world, and that fulfillment is far more valuable than accolades or titles. Awards and recognition can open doors and validate hard work, but they are external measures. True reward comes from staying faithful God, to your vision, honoring your craft, and seeing the impact your art has on others. When a story resonates, changes perspectives, or touches someone’s heart, that is the ultimate affirmation of why I do this work.

Do you have regrets? 

Yes, I have faced moments of regret — being told “no” again and again, watching opportunities slip away, and even stopping myself from pursuing what I truly felt called to do. There were times I doubted, hesitated, or let fear influence my choices, and looking back, I see how those pauses cost me precious opportunities to grow and create. But I have learned that there is no stopping me now. Every step I take in my career is guided by God’s hand and my faith in Him. I no longer let rejection or doubt dictate my path, because I know that my purpose and calling are greater than any obstacle. Each “no” I once faced has become fuel to keep going, to trust His plan, and to move forward with courage and conviction. Today, I create, produce, and direct with clarity, passion, and faith. I embrace every opportunity, knowing that when I align my work with God’s purpose, no rejection or setback can deter me. My journey has taught me that regret is not the end — it is a teacher — and faith is what transforms perseverance into achievement.

What’s the message you want to express through your art? 

The message I want to express through my art is deeply rooted in what matters most in my life: God first, then my wife, family, and my work. Everything I create comes from that foundation. My goal as a filmmaker, producer, and storyteller is to craft meaningful projects that carry purpose, resonate with audiences, and reflect values that uplift and inspire. I want my art to be more than entertainment. I want it to tell stories that touch hearts, spark reflection, and leave a lasting impression.

What do you think about Acting/ filmmaking schools?

Not a fan, just as I wasn’t a fan of journalism school, even though I went to the Berkeley J-school back when Moses wore short pants. The pedantic stuff was a total snore, especially since I already knew how to write. But from a technical perspective, J-school taught me how to - if you remember the time before the MP3 - report, record, edit and produce radio stories using a razor blade, grease pencil and quarter-inch tape. And that skill put food on my table for my first two years out of grad school, when nobody in news wanted to hire a young, white Jewish guy for their newsrooms, which were already filled with tons of older ones. I also appreciated the professors opening up their professional networks to me, which gave me a chance to do freelance work for National Public Radio and 60 Minutes. Most importantly, though, I learned how to tell stories visually, for TV. And later in my career, when I moved from print and wires news into TV and feature documentaries, I understood how you tell those types of stories. As I entered the genre, I felt like I had a clue because of what I learned at school.

Have you ever hated your ambition?

When I was young, I cursed myself because I loved what I did, but it was a terrible way to earn a living - telling stories. I come from a lower-middle-class background, so I never had any money growing up. I say without any irony that I continued that my first 10 years or so in journalism. And it’s funny. Now that I’m much older, made money in the corporate world, what do I do but turn around and bankroll a feature-length documentary and spend time and money over five years to tell the story. I knew when I started how terrible the doc market was, that you can’t sell unless you get your money from a Tyler Perry or Oprah or work with a production house that has ties to Netflix or Amazon. I knew that it was stupid doing a film that wasn’t focused on a celebrity or something stupid, like the Fyre Festival, where we were telling the story of the everyman and everywoman. And yet, here we are. It was partly about trying to sell it to pay my crew what they’re really worth, not what I could afford. But more than that, my ambition was to sell ‘Out of Reach’ so that the world could see the story we had told, our way, one that resonates with every working person who has ever felt undervalued and struggles to have a decent quality of life.

Francois Truffaut used to think that "Film Lovers are sick people”… was he right?

Only a masochist goes into this business. You know, going in, that you’re unlikely to be the Michael Jordan, the Francis Ford Coppola, the 1%, of all film people. But you don’t care, because you’re so driven to learn, distill, create and share the stories of others with viewers. Everything else - fame, fortune - takes a backseat to wrapping on your production and getting it ready for others to understand what you learned and have shared with them. It is a sickness.

Who’s the Director\Actor\Writer that taught you the most?

“As I started to get deeper into documentaries - ‘Out of Reach’ is my fourth doc - but my first indie production, I was heavily influenced by James Kent, Steven Bognar and Julia Reichert. Kent won an Emmy and a BAFTA for ‘Chopin Saved My Life.’ The light bulb came on in my head when I watched how he pulled together the stories of unconnected, diverse people around the world - all of whom were obsessed with, and affected by, the same piece of music. It was a master class in creating story flow, and we used similar techniques to bind our characters together and keep the story flowing organically. Bognar and Reichert directed ‘American Factory,’ which came out while we were still shooting. Before I saw it, I was having trouble storyboarding ‘Out of Reach,’ but I totally cribbed both their chapter-like structure and the fearless way they moved from one character’s storyline to another and back again without worrying about making things too linear and neat. Because life is not like that, and viewers are not stupid. They can totally follow your storyline if they recognize and connect with the characters.”

About your job, tell us your biggest dream and your worst nightmare…

Having a great idea for a story and not having the time or money to tell it is my greatest nightmare, since I no longer have the might of The Wall Street Journal to bankroll me. My biggest dream is that I hear from audiences of all colors and ethnicities, speaking dozens of languages on five different continents, that the story I’ve told made them feel something, gave them insight they didn’t have before. I do this because I want my work to have impact. I want it to expose something in a raw, understandable, visceral way, and make it connect, whether you are young or old, conservative or liberal, because we are all people, and we all should understand each other better.

What would you like to improve as a Filmmaker\Actor\Writer?

The ecosystem and economics of documentary filmmaking are broken. As much as I love work from Ken Burns and Tyler Perry and Mark Wahlberg, there’s way too much emphasis on them and others like them. Let me be clear: This isn’t about avarice, it’s about homogeneity.  If you scroll through the major streaming platforms, everything looks the same. There’s a reason for that. The industry - the streamers, the production houses - they want bankable hits. And the formula they’ve landed on is celebrity: a celebrity director or EP, a celebrity subject like Victor Wembanyana or Elon Musk. It’s at a point where ‘indie’ equates with poverty and the inability to make a living as a filmmaker. I know I certainly would starve if I didn’t have other work writing books, doing communications and content gigs. I think there has to be a better way to distribute funding, making it more meritocratic and inclusive to new, different voices. But there also needs to be a way better way to get these films seen and distributed. It’s highly inefficient, and quite frustrating when you hear from a PBS that your five years of work is worth $1,500 to them, because they blew their budget on one big film. Or that a streamer, who hasn’t even watched your work, won’t pay - or won’t even reply to your query - because they’ve never heard of you. It’s hard not to sound whiny about this, but I think there are so many gems in these indie festivals that deserve, but won’t get, a bigger platform and viewing audience because of broken economics.

A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?

Definitely 'Citizen Kane,' though in this day and age, ‘Rosebud’ would probably have to be a skateboard or an action drone, instead of a sled.

Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?

Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script".  Do you agree with him?

I do unscripted documentaries, but I do take Hitchcock's point. You can’t just have an idea, point the camera and slam clips together without first knowing what your higher purpose is, what characters represent, where they’re going and what takeaways you want to leave viewers with. Whenever I get discouraged, I think back to Bill Drummond, a radio professor at the Berkeley J-School. He taught me to embrace my introversion, going out into the world along with a Marantz cassette recorder and microphone, to look and listen and find one person, then another, then another - and then dig out their stories. Once they start talking, magic happens. You can see the possibilities, the direction, the flow. When you’re in that storytelling zone, camera on, character answering your questions, or you’re following them as they live their lives, all the worries and misery melt away. You’re doing what you love, doing what you’re good at, doing something that has meaning.

What’s your most ambitious project for the future?

I just finished it in the present, with ‘Out of Reach,’ but I want to tackle a story that focuses on the future of work. I want to know how we, as humans around the world, will interact with and work with technology, like AI, for example. I want to bring out the angst of being replaced, with the reality of how things will actually unfold in different corners of the globe. Ultimately, I want to help define what late-21st-century human jobs will be, look like and do and how man and machine will intersect.

Do you think that sadness or at least melancholy lets you be more creative?

It’s definitely true that, ‘if it bleeds, it leads,’ but humans like - and thrive on - hope and joy. I think there’s a chemical reaction when you’re sad that gives you greater powers of introspection and perspective, and that’s a good way to kick things off. But if you stay in that lane, your work ends up being far too dark or deep, even to the point of being impenetrable. Lay out the sketch, the outlines and let your viewers process and decide what something means. Give them that credit.

What do you wish to yourself as a Filmmaker\Actor \Writer?

I have never found such a humbling profession in my life. Apart from others always being better than you are, you get to be a certain age in many professions, and you kind of have no more runway to learn and develop and grow. I wish - and think - that will never happen to me, or for me, in filmmaking. I learn from watching the work of others. I grow by making mistakes and finding ways around them. I develop by staying current in technology and tools, like drones and VR, to find new ways to think about and tell stories.

Who's your biggest fan?

I’d have to say my biggest fan is my wife. She’s always my biggest supporter—constantly hyping me up to everyone we meet and believing in me even when I doubt myself. She’s the kind of person whose opinion truly matters to me, and when I manage to impress her, that’s when I feel the proudest. It’s like her belief in me reminds me why I do what I do.

What brings you inspiration the most?

My biggest inspirations come from the small moments in everyday life—the grind of a day job, a late-night conversation with my wife, the fleeting emotions we all feel but rarely notice. When a movie inspires me, it’s never about copying it. I want to capture the feeling it gave me—the way it lingered after the credits—and make the audience experience that same spark for themselves.

Which actor or director would you like to work with?

I really wish I could work with Daniel Day-Lewis. He just disappears so well into his roles, and with my tendency to make more intense feeling films, it would be a dream to have him bring a character of mine to their maximum potential.

Have you ever seen a film that was better than the book?

The Silence of the Lambs if only because it brings the story and themes to life in a way that only a movie could; like how it uses sound design to show why the main character feels like she doesn't belong by simply accentuating the sound of her high heels among the crowds of men she walks amongst

What's the movie that taught you the most?

Whiplash. That film taught me so much about the power of simplicity in storytelling. Everything about it — from the color palette to the pacing — is deliberate and minimal, yet it evokes such intense emotion. It showed me that a story doesn’t need to be complex to be gripping; it’s about how deeply we can connect with a character’s internal struggle. More than anything, it taught me that real character development comes through how someone reacts to the events in their life, not just the events themselves.

About your artistic career, have you ever had the desire to quit everything?

I have quit everything. After Covid I had no team, no money, no equipment, just a job that could just barely get me by. I thought it wasn't in the cards for me until I met my wife; that's when I realized that with or without money, it's still worth trying.

On set what excites you the most?

When I’ve given the actors my notes, the lighting is set, and my cinematographer is locked in—there’s this moment right before we roll where everything clicks. Then, seeing all that hard work come to life in real time on the director’s monitor is absolutely electric. It’s the moment where collaboration turns into creation, and I get to witness everyone’s effort and artistry merge into something tangible. That feeling never gets old.

And what scares you the most ?

The biggest challenge I’ve faced on set was when someone got injured during a shoot. My cinematographer and I were filming a one-shot, one-take short that required a lot of running with heavy equipment. At one point, she fell and hurt her knee, but we still hadn’t gotten the take. Despite the pain, she insisted on pushing through and kept filming until we nailed it. I was worried the entire time, and it really stuck with me. It reminded me that no shot is worth someone’s safety, and since then I’ve made it a priority to plan stunts and movements with even more care.

What's your next project?

My next project is a World War II feature film titled The Red Head, where I’ll be serving as the First Assistant Director alongside Director of Photography Yah’leanah Wall. It’s an exciting opportunity to help bring a large-scale historical narrative to life while collaborating with an incredible team. Following that, I’ll be returning to directing with my short film Work It With Sandy, a psychological comedy-thriller that explores themes of nostalgia, media obsession, and identity through the story of an exercise videotape that comes to life. I’m genuinely looking forward to what’s ahead.

You can steal the career of an artist you really admire, who do you choose?

My answer feels obvious. I'd like Stephen Spielberg's career. He so easily makes you feel something when you watch his films, even when the plot isn't that deep. I want to affect people like that.

An actor/director/screenplayer is made of....

 A director is made of resilience, empathy, and clarity of vision. You have to understand people deeply — both your actors and your audience — and know how to bring out emotion through collaboration. Directing isn’t just about calling the shots; it’s about creating an environment where everyone’s best work can thrive. It takes passion to imagine a story, and discipline to bring it to life.

For you Cinema is....

Cinema is where people go to reconnect with emotion, to be inspired, and to experience stories that remind us what it means to be human.

Do you think Black and white movies have a powerful impact?

Absolutely. Black and white films have a unique power because their simplicity strips everything down to emotion and intention. Without the distraction of color, every frame, shadow, and expression carries more weight. It forces the audience to focus purely on what the artist wants them to feel — the emotion behind the image rather than the surface of it.

Have you ever dreamed of winning an Oscar?

I think about it every day. But more than just dreaming about winning an Oscar, I try to approach every project — every shot — like it deserves one. If you treat each moment like it’s worthy of that level of excellence, you push yourself and everyone around you to reach higher. You have to believe you can before anyone else will.

Do you think you're gonna win it?

I think my wife will probably win one first, but someday I think I will, Once I'm ready.

Who's your biggest fan?

Probably "Outstanding Screenplays." They were the first to show support and follow me on X.

What brings you inspiration the most?

God. He's my source and gave me the ideas, keeps me going with more ideas to write in the scripts. "Unless the LORD builds the house, the workers labour in vain." - Psalm 127:1

Which actor or director would you like to work with?

Steven Spielberg. On my project "I HATE ZOMBIES".

Have you ever seen a film that was better than the book?

No. I don't read much books as an adult. Just spiritual stuff like Psalms and Proverbs and the Urantia Book. 

What's the movie that taught you the most?

Maybe The Passion of The Christ. Never thought it could be so bad. (Crucifixions)

About your artistic career, have you ever had the desire to quit everything?

Oh yes. And I did! For roughly 5 years I was a wine-o. Just chain-smoked and drank everyday. September 2019- September 2024. I'm sober now, only drinking non-alcoholic beers.

On set what excites you the most?

Never been on set. I'd like to be on set my projects as a Creative Consultant and learn how movies are made; make sure they're something I'm excited to see still.

And what scares you the most ?

Hell.

What's your next project?

I don't know yet. I'm getting my 2 "completed" scripts from a 7 and 7.5 to at least an 8; reached out to a writer and Wingnut Films to see if they want to collaborate... I'm also trying to write a project called "Vis." Writing out 70 scenes in a sketchbook by hand. I guess that's my next project for now. VIS.

You can steal the career of an artist you really admire, who do you choose?

I think Taylor Swift has the best fanatics who support her... fanatically. She wins all the time and I don't understand why. Maybe hers or be a maverick like Picasso.

An actor/director/screenplayer is made of....

Low self-esteem - dirt! 

For you Cinema is....

Quite possibly the highest artform.

Do you think Black & White movies have a powerful impact?

Yes! Maybe a hint of colour like my Vis project will have at times...

Have you ever dreamed of winning an Oscar?

Yes. That's why we're here, where we're headed.

Do you think you're gonna win it?

Yes! Oscar, Grammy, Noble Prize are on the bucket list.

 Did anyone ever tell you weren't good enough?

Yes all my life. From elementary to recently.

Kids picked on me called me Myreon up till I got tall and fought back.  Recently had producers from “Hidden Exposure” when I first asked them for help on GIANT tell me…”…not worth my time go invest in Gramerly!”.  Mind you I have suffered severe dyslexia since child hood.  Well I showed them and here we are.  Their projects lost and made no money and “WE” are winning.  “WE” is my contra and culture.  No “ME” without the “WE”!  We culture is import and surrounds you with people who are good not ones who criticize or shun.

How can you stay focused on your goal?

One needs a strong back bone and drive.  Always uphill and always charge through.  Drive on and Keep on Keeping on.  For me that’s how my goals are hit and realized.

Have you ever had a breakdown because of your Job?

No.  Why because of my upbringing and constitution.  Still it is okay to breakdown but as a leader it needs to be private and compartmentalized.  Read the book I mentioned above “The Mask of Command”

Talent is a blessing or a curse?

Both and how you function with it along with good mental health can be balanced.  The ID/EGO is a powerful force.  Not many have real talent or gift. Today a big issue is a lot of individuals have been wrongfully told they have and then as we see over and over again the sad end of such.

 What would you like to improve about yourself as an actor/director/screenplayer?

Compassion.  Not get activated quickly by the greed and outlandish demands of talent, crew and agents. To be a even better listener.

What's the worst critic you have received?

The one that has stuck with me since 1991 was from the Philadelphia Gay News on the role of Rodrigo I played in Shakespeare’s OTHELLO for PART(Philadelphia Area Repertory Theatre) my first paid Equity gig at age eighteen and they said quote unquote “….flat, lifeless and unengaging…” it went further even badged our Desdemona Dena Howe. I found funny and moved on Dena was upset.  The truth was the the critic was at the show and after party and kept making advances and I told him numerous times “NO!” and “I don’t stuff things for his team!”. I guess he did not like it or my stance.  Hence the review and I stand by that.

If you weren't an actor/director/screenplayer what would you like to be?

Well I grew up in the business thanks to my mom and dad.  Originally before all this was my pursuit of Forensic Medicine and Military History and I still kind of do both now.  I am share credits for my masters in history and have a associate background in Criminology.

If Cinema was a color what would it be?

Vibrant pulsating sexual life giving “SUN”

 A day without a movie is...

Silence 

 If someone offered you to play/direct/write in/a movie that you despise but that for sure will make you rich and famous...would you accept the job?

We all have and unfortunately what most don’t get this is “A BUSINESS!” so I have responsibilities and a family and pay check is a paycheck and anyone says otherwise are full of crap!

What's your greatest ambition?

To be at peace and eventually run for office 

What's your biggest fear?

Failing my team and family 

Does music helps you to play/direct, write?

Constantly! When I hear something I start formulating scenes, scenarios, dialogue and actions.  I love love soundtracks.  Ennio Morricone is my ultimate Master Maestro since age of three.  I used to say “Bip Bum” that was for “Good Bad & The Ugly” I own several mint records and signed ones by him.  I so miss his Craft.

You have the chance to make a Silent movie, what's your message to the audience?

Funny you mention that.  I am working on “Silent Room” about a father and room of his child taken from gun violence at a school shooting.  The message would be definitely a punch to the gut and pulls heavy on the heart.

Share your speech if you should win an Oscar....

I never had one or rehearsed one.  Ever I thank my family for not allowing that to happen.  I deal it is fake and phony.  I like raw real and unplanned like life.  

My Speach to humor you: “YES!” Mom/Dad and team ARTIMIS! 

Did anyone ever tell you you weren't good enough?

Constantly! If you’re creating anything with a point of view, you’re inviting criticism. I learned early on that you can’t please everyone, and more importantly, that isn’t the goal. My job isn’t to stand still and answer every critic; it’s to keep moving forward and make more films. The work itself is the only

response that truly matters.

How can you stay focused on your goal?

A truly industrial amount of coffee is my first-line defense, I won’t lie. But the real secret is in the edit —both in film and in life. I break down monumental tasks into tiny, manageable segments. Instead of “edit a feature,” my goal becomes “perfect these three shots.” It makes the process less daunting and

turns a marathon into a series of satisfying sprints, each one a small victory on the path to the finish line.

Have you ever had a breakdown because of your Job?

I think every artist flirts with that feeling of the summit being utterly unattainable. There are moments where the vision in your head feels miles away from what’s on the screen. But you learn that those moments are temporary, and you can’t let them win. The most important lesson is that the next great accomplishment, the next breakthrough, is almost always right around the corner—but you’ll only find it if you stubbornly, relentlessly keep moving forward.

Talent is a blessing or a curse?

It’s the ultimate double-edged sword. I believe every single person is immensely talented at something, but having that talent stifled or dismissed can be a tragic curse. The true blessing isn’t just possessing a talent, but getting the freedom to follow it. When you find that alignment, it’s liberating in a way nothing else can be—though it does come with the eternal curse of never being able to turn off the creative part of your brain, even when you’re trying to sleep.

What would you like to improve about yourself as a filmmaker?

I’m endlessly fascinated by the technological frontier we’re on. At my studio, AI Creator House, we're already merging live-action with AI-generated characters and sets to create films that were once impossible on our scale. The next step for me is to dive even deeper into that collaboration between the

real and the imagined. I’d love to work more intimately with live actors, harnessing their raw, human energy to ground our most fantastical creations and bring a new level of emotional truth to this hybrid art form.

 What's the worst critic you have received?

Ah, you’ve touched a nerve with a classic! Following the release of my first feature, I received a middling review. No problem, thick skin and all that. The real dagger came when I politely asked if I could use a snippet from it for promotional purposes. The reviewer wrote back to say she’d prefer not

to be publicly associated with the film at all. Oofta. It was a masterclass in having nine months of work not just disliked, but utterly dismissed. You have to laugh at the audacity of it—after you’ve finished crying, of course.

If you weren't a filmmaker, what would you like to be?

I’d almost certainly be a science educator, a field I’ve worked in and adore. At its core, both science and storytelling are about cultivating a sense of wonder. Filmmaking allows me to build new worlds, but science reveals the breathtaking magic of the one we already inhabit. I’d just be swapping one form

of world-building for another, probably with fewer late-night editing sessions and much more reliable hours.

 If Cinema was a color, what would it be?

Without a doubt, it would be silver. Not a flat grey, but the electric, reflective silver of the movie screen in that hushed moment just before the projector flares to life. It’s a color pregnant with potential, a blank canvas that promises every color of the spectrum is about to explode across it. It represents that

perfect, anticipatory silence where anything is possible—and that’s pure magic.

A day without a movie is...

A day without a journey. Whether it’s in a grand theater or in a living room, a film is a passport to another perspective, another emotion, another world. So a day without one isn't a tragedy, but it's certainly less interesting, less inspired, and a little less magical. It’s like forgetting to add the spice to a

meal—it'll still sustain you, but it won't give you any thrill.

What's your greatest ambition?

My greatest ambition is to put Hollywood on everyone's desktop. I want to dismantle the gates held by megastudios and empower a new generation of filmmakers, writers, and artists with the transformative

power of generative AI. This isn't just about technological disruption; it's a reclamation of the human narrative. I dream of a world where stories celebrating the poor, the disadvantaged, and the overlooked—those

too often ignored by vested financial interests—can be told with production value that rivals the biggest blockbusters. My latest series—including the sci-fi anime The Wayfarer, as well as Dice and Destiny - a storyline set on the boundaries of 90s grit and mythological surrealism—all tell stories of the people.

What's your biggest fear?

That independent filmmakers will hesitate to embrace generative AI. We currently have a priceless head start against the slow-moving, bureaucratic studio systems. My fear is that this window of opportunity will close before we fully seize it. This technology is the ultimate equalizer, and we need to

use it now to cement a future where creative vision, not just budget, determines what gets seen by the world.

Does music help you to create?

Absolutely, and often it’s the starting pistol. I frequently begin the editing process by scoring a scene first, then building the visual rhythm and emotion to match the music. As a multi-instrumentalist, I love blending the organic with the generated—layering live string performances or foley sounds over AI

visuals to create a unique texture. In my latest feature, Nobody Believes Cassandra, that hybrid approach is the heartbeat of the film, grounding its fantastical elements in something tangible and human.

 You have the chance to make a Silent movie, what's your message to the

audience?

I actually ventured close with The AI Man, an AI-powered homage to Buster Keaton's The Cameraman. My message would be a timeless one: that humanity is the constant. No matter how advanced our technology becomes, the core of our stories—the comedy, the struggle, the connection—remains

unchanged. The tools evolve, but the heart of the tale is, and always will be, about us.

Share your speech if you should win an Oscar...

"I have to thank my wife, Nicole Hennig, an AI creator and educator extraordinaire who is my true partner in every aspect of any world in which I venture. To Max, our adorable tabby cat—our offspring from another species who provides essential emotional support. And, although they each have passed on, thanks to my grandfather, Omer, who gave me my first movie camera, and to my father, RobertMaynard, who never once told me to be more practical with my dreams. And finally, to everyindependent filmmaker and artist boldly using AI to redefine what's possible—this is for us. This is a great honor. Thank you for believing that the future of film is for everyone."

Two films that have marked your life for better or for worse…

One of my all-time favorite films is “Paint Your Wagon” starring Clint Eastwood and Lee Marvin among many other acclaimed cast members.  I just love the setting and the plot/story expressed in the film.  It has some amazing songs and is extremely funny as well.

My second would have to be “The Godfather”.  It’s such an iconic film that touches on so many subjects of importance.  Having recently watched the documentary about how it got made and how much the studio seem to disagree with every choice made by the Producer’s makes me love it even more.

What do you think about Acting/ filmmaking schools?

I think they are good place for people to learn and improve their craft, but like many schools, I think some people spend too much time learning and not enough time actually doing.  If you want to perfect your craft, do the actual work.

Have you ever hated your ambition?



I’ve definitely questioned myself during the time of making this first film.  The old phrase “Imposter Complex” definitely comes to mind.  But I learned a long time ago that if you don’t trust and believe in yourself, no one else will.

Francois Truffaut used to think that "Film Lovers are sick people”… was he right?



I think film lovers are great people, as long as it doesn’t consume them or their lives.  In this day we see so many people doing nothing but having their eyes glued to a screen, living their lives vicariously through film.  I say, enjoy the films, but not at the expense of your own life and experiences.

Close your eyes…if I say “Cinema” what do you see?



When I hear the word “Cinema, I think of a smaller movie theater showing a black and white film.  Today we have these massive theaters with all the latest sound systems and gigantic screens.  Those have their place of course, but I’ll take the intimate smaller theatre every time.

Who’s the Director\Actor\Writer that taught you the most?



Having watched a ton of films and interviews, I would have to say that everything I have heard and learned about Clint Eastwood’s moving making style inspires me the most.  Of course he has 70 years of experience, but I like his approach of being able to take a story and really draw the audience in to feel like they are part of it.

About your job, tell us your biggest dream and your worst nightmare…



For my film, I am the Production Company Owner, Executive Producer, Director and Interviewer.  Running all of this has been an amazing experience and now with seeing success, it feels like an amazing achievement and a dream come true.  My worst nightmare was the thought that after all this time, effort and money that my film would be a flop.  Kind of like throwing a lavish party and having no one show up.  Now, after only having been released 2 months ago and having already won over a dozen film festivals, that fear is going away and the realization that I did make a good product is starting to sink in.

How important is to have a good Cinematographic Culture?



That is something that I think is missing in a lot of places around the county and world.  There are so many amazing small production films that will never make it to a big screen and may only exist on a small platform.  Having film-festivals and exposure to a greater audience is so very important to both the people that create the films but also to the viewing audience.  I always am encouraging people to take a chance on some unknown film because not only did someone take a chance on pursuing their dream, but you might find something that truly speak to you.

What would you like to improve as a Filmmaker\Actor\Writer?



As this is my first film and done so much of it on my own.  I think the best way I could improve is to be more willing to take chances and trust others to do what they do best.  A great example of this is my Editor Dan Pred.  I had some ideas for what I wanted to do and he very professionally told me that he would do it, but he didn’t think it would be the best for the film.  He literally saved me from myself and I can’t give him enough credit.  Without him, I would not have anything close to the film I have today.

A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?



This is a tough one.  We see so many remakes of classics and more often than not, they totally miss the mark of the film or change to be more in line with current times and thinking.  What made all those old films the classics they were is that they were done in that day, with that time of thinking.  I think we should leave the classics alone and instead create new classics.

Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?

I know I should say my wife, but in all honesty it is my Editor.  When I was in total doubt about the project I just finished, he would encourage me to keep going by reminding me about the amazing interviews and footage that we have and that we already have an amazing product, we just need to bring it all together, which he did.  I honestly believe that without his steadfastness and belief, my film would probably still be sitting in a computer gathering dust.

Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script".  Do you agree with him?



I think having a great script is one thing, but if you don’t have a person(s) with the dream to bring it to life, it is nothing more than words on paper.  Going back to the documentary on the Godfather film, Mario Puzo and Francis Ford Coppola had such true vision for the film and although they had a good script, if not for their belief and vision we would not have the Godfather.

What’s your most ambitious project for the future?

I would like to make a film based on the book I wrote a dozen years ago, but I’m not sure I’m quite ready for that.  I definitely would like to do another documentary and have one in the early stages of development.

Do you think that sadness or at least melancholy let be more creative?

I think that it can, but for myself if I were to be feeling sad or melancholy it is about something that I am dealing with personally and so it is more introspective versus thinking about a broader genre.  I am by nature an easy-going happy type of person and I like to create in such a way that spreads that type of mindset.

What do you wish to yourself as a Filmmaker\Actor \Writer?

Knowing that I created something that brought happiness to others and they were able to connect to the people in my film.  We have such amazing showings already and when I see and hear the feedback from the audience and how I was able to produce something that touches a total stranger and even the interviewees themselves, that is something that I truly cherish.